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MUSIC: DEF LEPPARD - "ROCK ROCK (TILL YOU DROP)"
Over OPENING CREDITS, a montage of OLD WRESTLING-MAGAZINE
PHOTOS. Action shots of RANDY "THE RAM" ROBINSON taking on a
keffiyeh-wearing heel named THE AYATOLLAH before 20,000
screaming fans at Madison Square Garden.
The sounds of a SCREAMING, CHEERING CROWD overwhelm us. Over
the images, RINGSIDE ANNOUNCERS boom commentary:
——"Oh, my! Ram hit with a
devastating piledriver!"
——"I've never
seen a guy get fired into a buckle that hard!"
——"The Ayatollah taking it to The Ram outside the ring!"
——"Ram absorbing
tremendous punishment! How much more can he
——"Wait a minute. Look at this. The Ram is
getting up!"
——"He's coming back! I don't believe it!"
——"Randy The Ram Robinson giving absolutely everything he's
got! This is the very
definition of heart!"
——"Just
listen to this crowd! The entire Garden, 20,000
people, are on their feet!"
——"Ram climbing to the top rope. The crowd going wild.
They know what's coming."
A PHOTO of Randy standing on the top rope, his bent arms
pressed against the sides of his head like RAM'S HORNS.
——"Uh-oh, the horns are out. Here it comes."
We FREEZE on a final image of Randy FLYING HIGH ABOVE THE
CANVAS, horns out, poised to crash down on The Ayatollah.
——"Ram Jam! Lights out!!"
Over this, the sound of the crowd GOING CRAZY.
The Def Leppard song rings out as we.
INT. EAST WILMINGTON HIGH SCHOOL - LOCKER ROOM - NIGHT
Present day. Post-match. Randy, pushing 50, still with the
same long, dyed-blond mane, sits on a bench in the boys
locker room of a Wilmington, Delaware high school.
CHYRON: 20 YEARS LATER
He pulls off his purple spandex wrestling tights. Lime-green
ram's horns run up the sides. They're the same kind of tights
as in the ‘80s pics——and may well be the actual same pair.
Naked except for a jockstrap, Randy takes a breath. Achy,
sweaty, saggy, exhausted. A battered warrior. Scars all over
his body. Despite the rough shape he's in, it's clear he's
just given it his all in the ring. He swigs down a few pills
with a beer.
Promoter SCOTT BRUMBERG, a heavyset man in a Mets jersey with
BRUMBERG - 44 on the back, approaches.
Great show, Ram. Ya turned it out.
He hands Randy some cash. Randy counts it. It's not much.
SCOTT BRUMBERG (CONT'D)
Sorry. I was sure the gate'd be
Randy just shrugs resignedly.
EXT. EAST WILMINGTON HIGH SCHOOL - SHORT TIME LATER
Randy, changed into his street clothes, limps out of the
school, each step labored and painful. Waiting near the
entrance are TWO FANS, both men in their 30s.
Yo, Ram. Think you could.?
Fan #1 holds out a SHARPIE and an old WRESTLING PROGRAM from
the ‘80s. On the cover is a shot of Randy wrestling CORPORAL
PUNISHMENT, a heel in a drill instructor get-up.
Randy takes the program, happy to oblige.
I was there.
Randy hands back the program. FAN #2 hands him a MINI-POSTER.
The faded, mid-'80s poster features Randy, biceps bulging,
crushing a head of broccoli between his fists. Across the
top, it says
"EAT YOUR VEGETABLES, PUNK!"
My first match ever was you versus
Davey Diamond at the Spectrum.
Randy smiles a little. He remembers, too. He hands back the
poster. Fan #2 looks fondly at Randy, a part of his boyhood.
You were awesome.
Randy nods, a bit uncomfortably. The two fans, muttering
thanks, drift off into the Delaware night. Randy is left
standing alone, still holding Fan #1's pen.
He walks over to a beat-up old CONVERSION VAN and climbs in.
Turns on the engine. Music starts up on the stereo mid-song.
MUSIC: CINDERELLA - "DON'T KNOW WHAT YOU GOT (TIL IT'S GONE)"
INT. VAN - SHORT TIME LATER
Randy is driving. On the dashboard is an old ACTION FIGURE OF
HIMSELF from his WWF days. On the stereo, a different song
plays, later in the same album.
MUSIC: CINDERELLA - "FIRE AND ICE"
Randy pulls into the entrance gate of PARADISE OAKS TRAILER
EXT. PARADISE OAKS - RANDY'S TRAILER - SHORT TIME LATER
Randy parks in front of his TRAILER. He gets out and heads
toward it. A dismayed look comes over his face.
RANDY'S POV: The door is PADLOCKED.
He tugs on the lock. Tugs on the door. No dice.
He violently kicks the padlock in a moment of rage.
EXT. RANDY'S TRAILER - SHORT TIME LATER
Randy resignedly climbs into the BACK OF HIS VAN.
INT. BACK OF VAN - LATER
Randy lies on a scrunched-up mattress on the floor, unable to
The van wall is decorated with a MINI-SHRINE Randy has built
to himself. Old magazine and newspaper clippings, mini-
posters, etc. A few changes of clothes lie in a messy heap in
He grabs a bottle of pills and pops a few, washing them down
with a beer. He closes his eyes, trying to unwind.
INT. BACK OF VAN - NEXT MORNING
Randy is asleep in his clothes from the night before. He's
STIRRED AWAKE by the sound of kids YELLING and BANGING on the
KID'S VOICE (O.S.)
He slowly sits upright, massaging his pain-wracked knees.
Every inch of him feels like shit.
ANOTHER KID'S VOICE (O.S.)
RANDY'S POV: Through the front windshield, TWO 8-YEAR-OLD
KIDS, boosted by TWO OTHER KIDS, are peering in.
EXT. PARADISE OAKS - SHORT TIME LATER
Randy is playfully tussling with the four kids. He picks one
of them up and "bodyslams" him.
(announcer voice)
Oh, my. look out!
He picks up another one and fake-drops him on his head.
He slams a third one. The kids are squealing with delight.
Tombstone piledriver!
Randy sees a car drive up and park by the MANAGER'S OFFICE.
He watches it with interest.
Catch you maniacs later.
The kids moan with disappointment as Randy heads off.
INT. MANAGER'S OFFICE - MOMENTS LATER
Randy glares at Len, the trailer park's MANAGER.
C'mon, Len. Don't be such a fuckin'
You'll get in when I get my rent.
You know I'm good for it.
Sure. You're good for it every time
this happens.
Randy sigh-groans in frustration.
Can I at least park in back?
Len looks at Randy. A wave of pity comes over him.
Twenty bucks.
EXT. PARADISE OAKS - IN BACK - EVENING
Randy sits on a MILK CRATE by his parked van. On the ground
in front of him is a BLENDER connected to an extension cord
stretching to another TRAILER. He pours a protein-shake
packet into the blender.
The trailer door opens. A WOMAN comes out. Lighting a
cigarette, she looks up at the cloudless, starry sky.
Thanks, Meg.
She gives Randy a small "You got it" wave.
EXT. SHOP-RITE SUPERMARKET - DAY
Randy enters a suburban Shop-Rite.
INT. SHOP-RITE - SHORT TIME LATER
Randy sticks his head in a door marked
MANAGER'S OFFICE.
INT. WAYNE'S OFFICE - CONTINUOUS
Sitting behind a desk is store manager WAYNE (40). He looks
up at Randy, irked.
Do we not know how to knock?
Wayne casually clicks a porn site closed on his computer.
Let's try that again.
Randy steps out and closes the door behind him. He knocks.
Randy enters.
Oh, hi, Randy! What can I do for
Randy groans privately. He really hates Wayne.
Do you have any extra shifts you
could throw my way?
What's the matter, they raise the
Randy is not amused. Wayne grabs a LOOSELEAF BINDER.
Let's see what we got.
Wayne starts flipping through.
Pretty much anything weekday.
EXT. SHOP-RITE - REAR LOADING DOCK - DAY
Randy, working alongside some MEXICAN GUYS, lifts a STACK OF
BOXES off the back of a BOAR'S HEAD DELIVERY TRUCK.
He carries the boxes through a RUBBER-STRIP CURTAIN, into a
WALK-IN COOLER. He puts them down and heads back out again.
INT. OGDEN'S GYM - LOCKER ROOM - DAY
Randy stands with GREGG, a huge bodybuilder who's counting
off some bills. Randy growls with displeasure at the small,
liquid-filled GLASS BOTTLE in his hand.
ANGLE ON bottle: The label says
SUSTANON 250. The rest of the
label is in SPANISH.
I'm tellin' ya, bro, it's identical
to the German.
I tried Mexican sus once. Gave me
Years ago, right? Mexican's way
I don't want this.
Bro, it's the
same.
I want my German.
I don't have any.
Randy steps in front of Gregg's locker and starts ROOTING
What are you doing?
Randy finds a bottle with GERMAN WRITING on it.
That's my own stash. That's my last
Randy puts the bottle of Mexican sustanon in the locker and
walks off with the German.
Danke schoen.
INT. LOCKER ROOM - TOILET STALL - SHORT TIME LATER
Randy, underwear pulled down, plunges a needle into his ass
INT. GYM FLOOR - SHORT TIME LATER
Randy is BENCHPRESSING. He grunts loudly as he squeezes out
one more rep, his SPOTTER urging him on.
Push it out——you got this!
INT. SUNSATIONS TANNING SALON - LATER
A strip-mall tanning salon. Randy breezes in, nodding hello
to the FRONT-DESK WOMAN, who's on the phone.
How ya doin', Glor?
Hey, babe. Four's open.
INT. SUNSATIONS TANNING SALON - SHORT TIME LATER
ANGLE ON an upright tanning pod. INSIDE THE POD, Randy is
standing naked, baking under the UV lights.
INT. LOOKING GOOD HAIR & NAILS - SHORT TIME LATER
Randy sits in a chair as a KOREAN LADY wearing latex gloves
BLEACHES HIS ROOTS. His hair is full of plastic clips.
Don't leave it in too long. All
those pieces broke off last time.
Okay, okay, no problem.
MUSIC: GREAT WHITE - "ONCE BITTEN TWICE SHY"
Randy is driving along Route 21. "Once Bitten Twice Shy" is
blasting on the stereo. One hand on the wheel, he bangs out
the song's piano riff on the dash with the other.
He passes Cheetah's, a STRIP CLUB. He keeps an eye on it as
he drives past.
The song fades out. He pops the tape out of the deck and
tosses it on the passenger seat. On it is a messy pile of old
cassettes. Skid Row. Mötley Crüe. AC/DC. Guns ‘N' Roses. He
sifts through the selection, one eye on the road.
INT. VAN - SHORT TIME LATER
MUSIC: AC/DC - "BACK IN BLACK"
Randy is still driving. AC/DC's "Back In Black" cranks loud.
He pulls into the parking lot of a VFW HALL and parks.
INT. PASSAIC VFW HALL - CAFETERIA - SHORT TIME LATER
A makeshift locker room/staging area. Randy and 20 or so
other WRESTLERS stand before the event's sleazy, tracksuit-
clad promoter, NICK VOLPE.
Listen up, only saying it once. Vic
Storm, you're up first against D-
Day. Second, Shawn McPride and
Funkmaster Garry B. Slick. Third,
Frankie Cirillo and Rob Dynamo
versus J.T. Anvil and The Ultimate
Freak. Fourth, Teddy Brewski and
Lex Lethal. Intermission. Fifth,
Samoan Savages versus the Disco
Brothers. Sixth, the Irish Warrior
and Vyper. Seventh, "Sandman" Steve
Sambuca versus Hollywood. Last but
not least, for the strap, Kid Loco
versus Randy The Ram. Got it? Good.
Volpe walks off.
INT. CAFETERIA - SHORT TIME LATER
Randy sits alone a table toward the back. He takes a roll of
athletic tape out of his supplies-filled WHEELIE TRAVEL BAG.
He starts WRAPPING HIS KNEES AND ANKLES. He does it in a
slow, methodical manner. It feels almost ritualistic.
INT. CAFETERIA - SHORT TIME LATER
Randy is hashing out the match with his opponent, a wiry
Puerto Rican kid whose shiny vinyl pants identify him as KID
Right there, you post me. Hard. I
Kid Loco nods, listening closely, deferential to the legend.
You post me again. Again.
You're fuckin'
whalin' on my ass.
LEX LETHAL (O.S.)
Randy turns and sees fellow wrestler LEX LETHAL sticking his
head into the cafeteria door.
LEX LETHAL (CONT'D)
There's some chick out here looking
I don't think so.
INT. HALLWAY - OUTSIDE CAFETERIA - MOMENTS LATER
Randy emerges from the cafeteria. A look of PLEASED SURPRISE
comes over his face.
What's up, kiddo?
RANDY'S POV: Standing there in an otherwise empty hallway is
a plain-ish YOUNG WOMAN (22). She looks at him with an
unsmiling expression. This is STEPHANIE.
Long time no see.
Randy pulls her in for a hug. She doesn't really hug back.
She steps back, breaking off the hug. A brief, awkward pause.
Whatcha doing here? Here to root on
She shakes her head no.
That's okay——as long as you're not
rooting against me!
She is irked by his jokiness.
Is there someplace we can talk?
I'm on in a sec.
It won't take much of your time.
I'm here because.
Stephanie gathers herself. This isn't easy for her.
STEPHANIE (CONT'D)
I came to make amends.
I'm supposed to talk to people I've
Randy is puzzled for a moment. Then, it clicks in.
Ohh. 12-stepper.
Good for you. That's great.
Thank you. I'm sure you mean that.
She smile-nods insincerely.
I need to apologize.
For anything I've done or said over
the years. All the anger at you.
Like the last time I saw you. I'm
sorry for what I said.
(dismissive wave)
Don't worry about it.
Stephanie is irked by his lack of engagement. She looks at
him with suspicion.
Do you even know what I said?
It was about your mom. And me.
(vague, flailing)
Like, how I was bad.
You have no idea.
MAN'S VOICE (O.S.)
Randy turns and sees TWO MEATHEAD FANS down the hall, headed
Whassup, yo? Randy The Ram!
MEATHEAD #1 gives Randy an excited high-five.
We gonna see some action tonight?
Tonight's forecast calls for severe
butt-whoopin's with a 100 percent
chance of pain.
Psyched "Yeah!"s from the meatheads. Stephanie is pissed at
the interruption. And, even more, Randy's embrace of it.
Could we get a picture?
No problemo.
The two meatheads flank Randy, their arms around his broad
shoulders. Meathead #1 looks tentatively at Stephanie,
holding up his DIGITAL CAMERA.
Think you could.?
She coldly takes it.
No problemo.
She looks into the camera. The meatheads stick their tongues
out and throw up devil signs. Randy flexes theatrically,
making his best "Aaargh!" wrestling face.
Stephanie snaps a shot. Meathead #1 takes back his camera. He
and his buddy pat Randy heartily on the back.
Thanks a lot, yo. Kick some ass out
You know it, broski!
The meatheads excitedly head off.
Randy turns his attention back to Stephanie, who's glaring at
him with cold disgust.
They're fans.
Same old shit.
I hafta. It's work.
I'm in the middle of saying
something important and you drop it
for the fucking wrestling.
I didn't
ask them to come over.
It's like I'm 10 all over again.
Are we almost done with this?
This ATTACK.
She looks at him calmly. Sadly.
Yeah. We're done.
She walks off.
INT. THE RING - SHORT TIME LATER
Randy SMASHING KID LOCO IN THE FACE with a flying drop-kick.
Kid Loco falls to the canvas.
Randy struts around the ring, exhorting the crowd, soaking up
their cheers.
Distracted, Randy doesn't notice Kid Loco peeling himself off
the mat. Kid Loco sneaks up behind Randy and SMASHES HIM IN
THE HEAD. Randy goes down.
Kid Loco lifts Randy up. They're both on their knees, chest-
to-chest. Kid Loco steps to his feet, lifting Randy with him.
Kid Loco tightens around Randy's arms, arches his back,
presses out his chest and. WHAM!! He and Randy fly with a
LATERAL DROP. Randy's head hits the canvas hard as he slams
down on his back.
As Randy writhes on the mat, Kid Loco HEADS FOR THE
RANDY'S POV: Kid Loco is untying the turnbuckle's padded
Randy, clutching his back, discretely reaches into the
waistband of his tights and pulls out a RAZOR BLADE. He tucks
the blade between two fingers in his cupped palm.
Kid Loco heads back to Randy. He picks up him by the hair and
drags him to the turnbuckle, throwing him HEAD-FIRST into the
exposed metal post beneath.
Randy, clutching his smashed head, discretely runs the blade
along his hairline. No one sees it happen.
BLOOD STREAMS DOWN Randy's forehead. The crowd's ELECTRIFIED.
Kid Loco slams Randy's head into the metal post again. Again.
Randy slumps over the corner ropes. Kid Loco cockily struts
around the ring.
Look at this loser! How
pathetic.
ANGLE ON Randy. The taunting stirs something in him. A look
comes over him, like he's Bruce Banner about to become the
Kid Loco saunters back over to Randy. He grabs his head for
another post smash, but HE CAN'T. Randy's neck and arm
muscles bulge. His neck veins pop like he's suddenly super-
A look of FEAR comes over Kid Loco. He knows the tide is
about to turn.
Randy reaches over his shoulder and grabs Kid Loco by the
hair. He pulls him in close.
Let's go home.
Randy juts his hips back and bends over, gaining the leverage
he needs for a throw. Kid Loco shakes his head, begging no.
Randy straightens his legs, raises his lower back, and yanks
down on Kid Loco's head. Kid Loco's feet fly off the canvas
as his head gets BURIED INTO THE MAT. He gets stuck UPSIDE
DOWN with his feet over the ropes.
Randy, holding onto the top rope with both hands, thrusts his
knee into Kid Loco's stomach. Again. Again.
Kid Loco somehow manages to untangle himself from the ropes.
He scurries away. Randy goes after him.
Randy hits Kid Loco with everything he's got. Dropkicks.
Elbows. Bodyslams. He pours it on, unstoppable.
Randy drags Kid Loco into the middle of the ring. He looks
out at the crowd.
RANDY'S POV: A trio of fans are chanting.
Ram Jam! Ram Jam! Ram Jam!.
Randy cups his hand to his ear. The chant quickly spreads.
WHOLE CROWD (O.S.)
RAM JAM! RAM JAM! RAM JAM!.
Randy "mulls" it over. He looks at his laid-out foe. He looks
at the corner. He heads for the corner.
Randy climbs to the top rope. He looks around at the crowd
like he's still undecided.
RANDY'S POV: The fans are cheering, wild with anticipation.
Randy bends his arms, pressing them against the side of his
head like ram's horns. (Just like in the photo in the opening
The leap is not terribly high or graceful. He crashes down
onto Kid Loco horns-first. Kid Loco's whole body convulses.
The fans lose it. This is what they wanted. The Ram Jam. The
INT. CAFETERIA - LATER
Randy, on a post-match high, sits on a cafeteria table
enjoying a beer as a pseudo-MEDIC stitches up his hairline
gash. Nick Volpe wanders over.
Ram, man, you
popped that crowd.
Randy smiles contentedly. He sure did.
NICK VOLPE (O.S.)
Yo, Ram. Got a sec?
Nick Volpe comes over.
For you, needledick? Always.
Do you realize what's coming up?
Randy looks at him, unsure.
NICK VOLPE (CONT'D)
Randy racks his brains. He has no idea.
NICK VOLPE (CONT'D)
20th anniversary of you and
Ayatollah at the Garden.
I know. Time fuckin' flies.
Randy sees an excited smile creep across Volpe's face.
Whatcha thinkin'?
Two words:
Re. Match.
Randy is instantly intrigued.
NICK VOLPE (CONT'D)
I'm doing a big Fanfest thing down
in South Carolina that weekend. I
wanna main-event it with you two.
Ram-Ayatollah II. 20th anniversary.
Hundreds,
thousands of screaming
fans watching you two make history
for the second time.
Think Bob'd get back in there? He's
pretty retired.
(cool, confident nod)
I bet he'd be willing to dust off
the old turban.
Randy's mouth is practically watering.
EXT. CHEETAH'S - PARKING LOT - SHORT TIME LATER
A spring in his hobbled step, Randy gets out of the van and
heads toward Cheetah's, the strip club he passed earlier.
Manning the door is BIG CHRIS, a huge bouncer/doorman.
Whassup, Ram? How ya been?
Yo, Big Chris.
They chummily shake hands. Big Chris pulls Randy in tight.
(into Randy's ear)
Hey, can you get me any more of
What do I look like, some fuckin'
two-bit street dealer?
C'mon, hook a brother up. You get
the family discount.
Swing by the mansion. Any day this
INT. CHEETAH'S - SHORT TIME LATER
MUSIC: BIRDMAN & LIL WAYNE - "STUNTIN' LIKE MY DADDY"
A crowded, not-very-glamorous Jersey strip club. Randy stands
over by the bar. The female BARTENDER slides him a beer.
Thanks, hon.
Randy takes a swig, looking around the club.
I think she's VIP-in'.
Randy, nodding, takes his beer and heads over toward the
STAGE. He settles in at an open table.
A YOUNG STRIPPER (22) works the pole, grinding lewdly to
"Stuntin' Like My Daddy", a bass-heavy Dirty South rap song.
Randy, watching her, quickly grows bored. He finds the
stripper, like the song, crude and soulless.
INT. CHEETAH'S - MEN'S ROOM - MOMENTS LATER
Randy is at the urinal. He flushes and heads over to the
sink. He washes his hands, checking his look in the mirror.
He primps a little.
INT. CHEETAH'S - MAIN ROOM - CONTINUOUS
Randy exits the bathroom and heads back toward the table. En
route, he passes a curtained-off VIP ROOM.
WOMAN'S VOICE (O.S.)
Trust me, babe. You're gonna be
Randy, hearing this, slows.
We said the other one.
The redhead. With the belly chain.
Randy peeks through the curtain. Inside, he sees CASSIDY
(36), a sexy, tattooed, aging rocker chick in a white spandex
dress. With her are six hair-gelled, goombah-wannabe BACHELOR-
PARTY DUDES (early 20s). The BACHELOR is sitting in a chair
in the middle.
Sorry, guys, she's on break.
Well,
I'm sorry, but we don't want
How old are you, anyway?
You're, like, my mom's age.
Stifled laughter from his buddies.
OTHER SIDE OF CURTAIN:
Randy's anger builds as he watches.
Cassidy, trying to salvage the gig, straddles the bachelor.
There's nothing like experience.
(into his ear, seductive)
I've done things your little
fiancee's never
dreamed of.
Yeah, like graduate in 1985.
This cracks his friends up. Randy BURSTS THROUGH THE CURTAIN.
Apologize to this lady.
Everyone is taken aback, including Cassidy.
Who the hell are you?
You speak to her with respect.
Cassidy wedges herself between Randy and Dude #2.
I got this. It's okay.
No, it's
not okay. This is
definitely not okay.
He turns to the bachelor.
I guarantee this woman's 50 times
hotter than whatever goombah skank
you're about to marry.
You hear what he just called Gina?!
That's my fuckin' sister!
Dude #1 steps to Randy, chest puffed out. Randy whips around
and GRABS THE CHAIR OUT FROM UNDER THE BACHELOR. He wields it
menacingly at Dude #1, who backpedals, terrified.
Randy makes like he's going to hit the guy with the chair.
Instead, he FLINGS IT AT THE WALL.
The entire bachelor party rushes for the curtain. Just like
that, they're GONE.
Randy looks at Cassidy, expecting a hearty thank you. Instead
he gets a PISSED-OFF SHOVE.
Thanks a lot. That was 200 bucks
just walked out.
Randy is totally taken aback.
I was just trying to help.
Did I
ask for help?
Did I
need help?
Randy looks down, silent and sheepish.
Then don't fuckin' help.
You're right. I'm sorry.
Cassidy calms down a little.
That's okay.
She looks at him with a warm smile.
Good to see ya, man.
INT. CHEETAH'S - SHORT TIME LATER
MUSIC: KHIA - "MY NECK, MY BACK"
Randy is getting a LAPDANCE from Cassidy. She plants her
hands against the mirrored wall behind him, her body just
inches from his face.
We're talking one of
the historic
matches in history. 20,000 people.
Another million and a half watching
at home on pay-per-view.
She turns, giving him a nice view of her writhing behind. On
the small of her back is an AC/DC TATTOO.
We were going back and forth, just
killin' each other for a half hour.
Any wrestling fan, they know all
Million and a half? Shit.
Yeah, it was big. So a
rematch.
(smiles, contemplating the
History all over again.
Cassidy turns around again. Randy looks her body up and down,
savoring her curves as she dances just for him.
Goddamn you are smokin'.
Cassidy smiles a little. This makes her feel good.
"My Neck My Back" ENDS. Cassidy pulls back on her dress and
casually sits down next to him. A new song comes on.
MUSIC: PITBULL - "UNA MANO LAVA LA OTRA"
They look toward the stage, where a PUERTO RICAN STRIPPER
shakes her ass to the staccato, abrasive Latin rap song.
Who knows. I put on a good show.
Cassidy nods supportively, sincerely.
Could be the thing that gets me
back on top.
You never know who's in that crowd.
An ALARMED LOOK comes over Cassidy's face.
Randy follows her eyes to his HAIRLINE.
You're bleeding.
A small amount of BLOOD is trickling down from his stitches.
He grabs a COCKTAIL NAPKIN and casually dabs it.
Got cut tonight.
Ah, it's nothing.
And they say wrestling's fake.
Randy proudly holds out his arm.
How's this for fake?
CASSIDY'S POV: A long-ish SCAR on Randy's bicep.
What's that from?
1986. Denver Coliseum. Billy Bob
Banjo hit me with his two-by-four.
Loose nail tore the bicep open.
I got even better.
He pulls down his shirt collar, revealing a nasty COLLARBONE
1988. Orlando Arena. Mr.
Magnificent tossed me out of the
ring. Landed on my shoulder,
clavicle snapped in half.
Not when they're going crazy for
Cassidy stands up and straddles him, gazing soulfully at the
"He was pierced for our
transgressions, He was crushed for
our iniquities. The punishment that
brought us peace was upon Him, and
by His wounds we were healed."
Randy contemplates the quote. He likes it.
It's from "Passion of the Christ".
You never seen it?
Randy shrugs no.
Dude, you gotta. It's
amazing.
She sits down next to him again.
It's, like,
so inspiring. They
throw everything at Him. Whips,
arrows, rocks. Just beat the
living fuck out of Him for the
whole two hours. And He just
takes
Huh. I'll have to check it out.
Cassidy lightly traces a finger along Randy's bicep scar.
The sacrificial Ram.
The Pitbull song ends. A new song begins.
MUSIC: MOTLEY CRUE - "GIRLS GIRLS GIRLS"
And now, please welcome to the
Cheetah's stage.
Cassidy stands up.
CLUB D.J. (O.S.) (CONT'D)
.the lovely Cassidy!
Randy reaches into a pocket and pulls out some bills.
Just gimme for three.
Randy peels off three $20s and hands them to her.
You'll wait ‘til I'm done?
Randy just smiles. She gives him a small peck on the cheek
and heads off.
Cassidy BURSTS ONTO THE STAGE. She owns it with rock ‘n' roll
ANGLE ON Randy's face as he enjoys the dance.
Randy is driving over the Throgs Neck Bridge.
EXT. RESIDENTIAL STREET - SHORT TIME LATER
The van pulls up to a TWO-FAMILY HOUSE in working-class
Queens. Out steps Lex Lethal (from the Passaic VFW show).
INT. VAN - SHORT TIME LATER
Randy heads down a highway entrance ramp, Lex Lethal riding
Thanks for the lift, bro.
No prob. You're right on the way.
Randy merges into traffic on the Long Island Expressway.
So how big's this place?
Nice. Two, two-fifty.
You been there. The Ricky Whipsaw
memorial benefit.
That place?
Should get a good gate. DiFusco
says he's gotten like 20 calls last
two days alone.
Randy chuckles cynically.
God bless hardcore.
INT. DOLLAR TREE - SHORT TIME LATER
A Long Island strip-mall 99-CENT STORE. Randy and Lex browse
an aisle. Randy is holding a TIN CAKE PAN. He bangs it
against his forehead, testing it out. It makes a LOUD CLANG.
Lex takes the pan, testing it against his own head.
Cookie trays were better.
Lex spots something exciting on another shelf.
LEX LETHAL (CONT'D)
He grabs a pack of STEEL-WOOL PADS. Randy nods in approval.
Lex tosses them into the SHOPPING BASKET Randy is holding.
ANGLE ON basket. It's full of all sorts of "supplies": cookie
trays, lightbulbs, thumbtacks, cheese graters, wire hangers,
cutlery sets, pizza cutters, etc.
Let's see if they got extension
They head off in search.
INT. NORTH BABYLON COMMUNITY CENTER - GYM - LATER
MUSIC: AC/DC - "IF YOU WANT BLOOD (YOU GOT IT)"
Randy stands BEHIND A CURTAIN as his entrance song plays. He
sneaks a peek through it.
RANDY'S POV: A ROWDY CROWD of about 150 fills a COMMUNITY-
CENTER GYM. The vibe of the crowd is a bit rougher than
previous events. A banner on the wall reads
ECHW - EAST COAST
HARDCORE WRESTLING. Pressed against the outside of the ring
are a FOLDING TABLE and a 12-FOOT METAL LADDER.
An ANNOUNCER stands with a microphone.
Ladies and gentlemen.
BEHIND THE CURTAIN:
Randy stands quiet and peaceful, head lowered slightly.
From Elizabeth, New Jersey,
weighing in at 218 pounds. The
former WWF superstar and wrestling
legend. The one, the only.
Randy "The Ram"
Robinnnnsonnnnn!
Randy explodes into the gym, full of fire and showmanship.
He does a lap around the outside of the ring. His hand is
raised high in the air, index finger and pinky curled into a
set of RAM'S HORNS. Fans do the same.
Kids rush toward Randy, reaching out for HIGH FIVES. He
obliges as many as he possibly can.
Fans hold out FOLDING CHAIRS in front of him. (Just like in
the opening montage.) He "rams" each one with his forehead.
If you want blood, You got it!/
If you want blood, You got it!
He does a lap around the perimeter of the ring,
enthusiastically head-butting chairs the whole way.
Blood on the streets, Blood on the
rocks/
Blood in the gutter, Every
last drop/
If you want blood, you
Randy climbs into the ring. He does a few neck rolls and knee
bends, limbering up.
The song fades down. A new song rises.
MUSIC: CELTIC FROST - "DOMAIN OF DECAY"
Ugly, plodding HARDCORE DEATH METAL.
And his opponent: From Hampton,
Virginia, weighing in at 295
The boos begin to rain down.
ANNOUNCER (CONT'D)
Hellbilly Cannibaaaal!
Through the curtain, HELLBILLY CANNIBAL emerges. A huge,
overalls-clad, mangy, wild-eyed masochist. Crumbs cling to
his scraggly beard. He's dragging a heavy CANVAS SACK.
A TEENAGER in the crowd holds up a sign reading
HELLBILLY
CANNIBAL SUCKS A FAT DICK.
Hellbilly Cannibal climbs into the ring with his sack and a
folding chair. He heads to the center of the ring, where
They sit down on chairs facing each other. Under Hellbilly
Cannibal's chair is his canvas sack. Under Randy's is his
Dollar Tree plastic shopping bag.
Hellbilly Cannibal punches Randy. Randy punches Hellbilly
Cannibal. They take turns punching each other, each shot a
little harder than the last. It's like a violent game of
After a stretch of this, Hellbilly Cannibal reaches into his
sack and pulls out a can of BUG SPRAY. He SPRAYS it in
Randy's face. Randy falls off his chair. He staggers around
the ring clutching his face, howling in agony.
Hellbilly Cannibal smashes the blinded Randy over the head
with his chair. Randy falls to his knees. Hellbilly Cannibal
reaches into his sack and pulls out a FLUORESCENT LIGHT TUBE.
Wielding it like a bat, he SMACKS RANDY in the face. The tube
explodes with a pop.
Grabbing a folding chair, Hellbilly Cannibal charges toward
Randy. He takes a flying leap, riding the chair like a boogie
board. Just as he's about to crash down on Randy, Randy ROLLS
OUT OF THE WAY. Hellbilly Cannibal's spine gets a violent
jolt as the chair hits the mat.
Randy reaches into his Dollar Tree bag and pulls out an
aluminum COOKIE TRAY. He smacks Hellbilly Cannibal in the
face with it. The tray makes an awesomely loud METALLIC
CLANG. Randy hits him a bunch more times.
Randy is starting to get winded. His heart beats faster.
He picks up Hellbilly Cannibal and flings him toward the
ropes. Hellbilly Cannibal, bouncing off, ducks Randy's
awaiting forearm. He bounces off the opposite ropes and
crashes into Randy knee-first.
Hellbilly Cannibal grabs Randy by the hair and smashes his
face into the corner post. He scoops him up and FLIPS HIM
OVER THE TOP ROPE, out of the ring. Randy LANDS HARD on the
concrete floor.
Hellbilly Cannibal hops out of the ring with the folding
chair. He WHALES RANDY IN THE FACE with it. Randy stumbles
backwards toward the metal barricade between the ring and the
fans. Hellbilly Cannibal kicks him in the chest. Randy flips
over the barricade, into the crowd. Fans scatter in an
exhilarated panic.
Hellbilly Cannibal throws Randy into a row of empty chairs.
Randy goes sprawling. Chairs fly everywhere.
Randy gets up. His heart is beating LOUD. FAST.
Randy, dazed, heads toward the SNACK-BAR AREA. Hellbilly
Cannibal follows after him. Randy grabs a metal GARBAGE CAN
and WHIPS AROUND WITH IT, smacking Hellbilly Cannibal square
in the face. Hellbilly Cannibal goes down.
Randy shakes out the can's contents over Hellbilly Cannibal,
showering him in trash. He shoves Hellbilly Cannibal's head
into the can and falls on it, ass-first.
Randy grabs the ladder resting along the base of the ring. He
POUNDS THE GARBAGE CAN with it, making an UNHOLY RACKET.
With the can still over his head, Hellbilly Cannibal rises to
his feet. He HEADBUTTS RANDY with the can. Randy, stumbling
around, gets headbutted again. Hellbilly Cannibal throws off
the can and drags Randy back to the ring by his hair,
carrying the ladder in his other hand.
Plopping Randy down on the mat, Hellbilly Cannibal sets up
the ladder in the middle of the ring. He heads back out and
grabs the folding table, setting it up by the ladder. He
reaches into Randy's Dollar Tree bag and pulls out a BOX OF
THUMBTACKS. He scatters the tacks all over the table.
Hellbilly Cannibal grabs Randy and pulls him up the ladder
with him. They stand at the top, perched high above the
table. Just as Hellbilly Cannibal is about to push off, Randy
surprises him with a VICIOUS HEAD-BUTT. Hellbilly Cannibal is
caught totally off guard. Randy headbutts him again. Randy
grabs Hellbilly Cannibal and PUSHES OFF.
In mid-air, Randy does a 180 twist, causing Hellbilly
Cannibal to CRASH THROUGH THE TABLE with Randy on top of him.
Hellbilly Cannibal rolls around the mat in a daze, his back
bloodied and covered with tacks. He staggers to his feet.
Randy hits him with a dropkick.
Randy's heartbeat is DEAFENING. All other sounds drop out.
Randy pulls Hellbilly Cannibal off the mat. As he gears up
for another dropkick, his KNEES BUCKLE. A look comes over his
face. He DROPS TO HIS KNEES, one hand on the mat.
Randy grabs his arm. He massages it. He FLOPS OVER, clutching
his chest. He lies on his back gasping for breath, sucking at
RANDY'S POV: The fans are unaware anything is wrong. They
assume it's part of the act.
Hellbilly Cannibal sees a look of FEAR in Randy's eyes. He
knows this is real. He looks out at the crowd.
HELLBILLY CANNIBAL
Is there a doctor?
Few fans look around. Most of them still think this is a gag.
Among those who sense it's real is JERRY DIFUSCO, the event's
promoter. He climbs into the ring. Kneels over Randy.
Randy is gasping. DiFusco turns to Hellbilly Cannibal.
JERRY DIFUSCO (CONT'D)
Lex Lethal and some of the other wrestlers climb into the
ring. They huddle around Randy.
JERRY DIFUSCO (CONT'D)
Let's get him up.
With no small effort, they lift Randy. They carry him to the
ropes. They slow, unsure how best to get him through.
Put him down.
They lower him to the mat. Lex hops out of the ring and grabs
Several of the other guys hop out of the ring, supporting
Randy's underside as they carefully, awkwardly pull him out.
By now, the crowd realizes this is real. They surge forward
as DiFusco and the wrestlers carry Randy toward the exit.
Get back, get back, get back.
INT. HALLWAY - CONTINUOUS
Randy is carried down a LONG HALLWAY, trailed by curious and
concerned fans. Lex is closest to Randy's head.
You're okay, buddy. Hang on.
They reach a door and enter. The wrestler holding Randy's
feet shuts it behind them.
INT. LOCKER ROOM/STAGING AREA - SHORT TIME LATER
Randy lies on a table, his eyes rolling back in his head. Lex
squeezes his hand, trying to keep him conscious.
Stay with us, bro. Help's coming.
EMS WORKERS come rushing in.
FADE TO BLACK.
INT. SUFFOLK COUNTY HOSPITAL - POST-OP RECOVERY ROOM - NIGHT
Randy lies unconscious. There's a BREATHING TUBE in his mouth
and ANOTHER TUBE going through his CHEST WALL. He's hooked up
to a MECHANICAL VENTILATOR.
FADE TO BLACK.
INT. POST-OP RECOVERY ROOM - NEXT DAY
Randy lies asleep. The breathing tube is out. The chest tube
is still in.
His eyes slowly open. He looks around, disoriented. Woozy.
Confused by all the wires on him, he starts PULLING THINGS
OFF. Monitors BEEP. Nurses rush into the room, calming him
down as they try to reattach the wires.
INT. RANDY'S ROOM - NEXT DAY
Randy, transferred to a regular hospital room, is watching
"All My Children" on the wall-mounted TV. The chest tube is
out, in its place a large bandage.
MAN'S VOICE (O.S.)
(slight Indian accent)
Mr. Ramovic.
Randy looks up. DR. TARACHANDANI (40) enters the room.
Call me Randy.
The doctor, nodding, looks down Randy's folder.
So how we lookin', doc?
A lot better than before the
Great. So I'm all good.
From the doctor's face, it's not quite that simple.
Your heart. You're going to have
to start taking much better care of
For starters, you must take your
medication every day.
I could handle that.
And no cocaine.
(defensive, offended)
I don't do coke.
It's all over your blood work.
(sheepish, busted)
Maybe once in a while.
Well, it has to be never.
Randy gives him a reluctant nod.
DR. TARACHANDANI (CONT'D)
As for exercise, it's still okay,
as long as it's moderate.
So, like, wrestling.
Not a good idea.
What if I do it moderate? I could
hold back on certain moves. There's
always ways to fake——
Mr. Ramovic.
Randy, a man with your heart should
not be flying around a ring
crashing into people.
Randy's nostrils flare.
With all due respect, Dr.
(reads name tag,
.
.Trachanani, I'd like a second
opinion on that.
Of course. But I promise you, any
doctor I showed your file would say
the same thing.
Randy lets out a skeptical, sarcastic snort.
DR. TARACHANDANI (CONT'D)
You almost
died. The next time, you
won't be so lucky.
I want a second opinion.
Your heart's been through a lot.
Even before the heart attack, it
was significantly——
I want a second opinion.
I WANT A SECOND OPINION.
INT. SUFFOLK COUNTY HOSPITAL - ADMISSIONS DESK - MORNING
Randy is checking out of the hospital.
ADMISSIONS-DESK WOMAN
This is your copy.
The ADMISSIONS-DESK WOMAN hands him some paperwork. He folds
it up and stuffs it in a pocket.
ADMISSIONS-DESK WOMAN (CONT'D)
This was left for you.
She hands him a plain white ENVELOPE. Randy opens it. Inside
YOU EARNED IT DUDE. YOUR A WARRIOR!
REST UP, FEEL BETTER.
——JERRY DIFUSCO
PS. IF YOUR UP BY THE 23RD, I GOT SOMETHING IN YONKERS
Randy looks into the envelope again and pulls out $300.
He looks at the money, chuckling ironically. It's his biggest
payday in years. He tucks it in a pocket.
ADMISSIONS-DESK WOMAN (CONT'D)
You have somebody picking you up?
EXT. SUFFOLK COUNTY HOSPITAL - SHORT TIME LATER
Randy steps out of the hospital into the bright light of day.
He squints, his eyes adjusting. He stands there looking
around, a lost animal.
EXT. NORTH BABYLON COMMUNITY CENTER - PARKING LOT - SHORT
A CAB pulls up to Randy's van, still parked in the community
center's lot. Randy steps out of the cab and limps to the
van. He gets in.
INT. VAN - SHORT TIME LATER
Randy sits in the van in the otherwise empty lot, pondering
his next move.
INT. CVS PHARMACY - SHORT TIME LATER
Randy roams an aisle, killing time, idly browsing the
selection of deodorants.
WOMAN'S VOICE (O.S.)
Randy looks up. He heads down the aisle, toward the voice. He
comes to the.
PHARMACY COUNTER:
A female PHARMACIST stands holding a small pharmacy bag.
Randy heads toward her.
PHARMACIST (CONT'D)
He gives her a small, embarrassed nod, taking the bag.
INT. PARADISE OAKS - MANAGER'S OFFICE - LATER
Randy hands Len the manager a bunch of cash. Len notices he
seems a little off.
EXT. RANDY'S TRAILER - SHORT TIME LATER
Len removes the padlock from Randy's trailer door.
Welcome home.
INT. RANDY'S TRAILER - KITCHENETTE - SHORT TIME LATER
A messy, junk-filled trailer. Randy stands at the kitchen
counter with the CVS bag.
He opens the bag and takes out FOUR PRESCRIPTION PILL
BOTTLES. We catch a glimpse of the drug names on them:
PLAVIX. COREG. LIPITOR, LISINOPRIL.
He gazes at the patient name on all of them.
RAMOVIC, ROBIN
INT. RANDY'S TRAILER - BATHROOM - LATER
Randy is taking a shower. On his chest is a SURGERY BANDAGE.
He soaps up, careful not to get the bandage wet.
INT. RANDY'S TRAILER - LATER
Randy collapses on the bed, exhausted.
INT. RANDY'S TRAILER - DAY
Randy lies on the bed, gazing off. Restless. Bored. Something
catches his eye.
RANDY'S POV: On the floor, in front of the TV, is an old
NINTENDO VIDEOGAME SYSTEM. The game cartridge in the console
is
WRESTLEJAM ‘88.
EXT. RANDY'S TRAILER - SHORT TIME LATER
Randy sticks his head out of his trailer.
RANDY'S POV: In front of the opposite trailer, ADAM (8), one
of the kids he was play-wrestling with, is idly throwing a
tennis ball against a car.
Adam turns and looks toward Randy.
Wanna play Nintendo?
INT. RANDY'S TRAILER - SHORT TIME LATER
Randy and Adam sit on the floor playing WrestleJam ‘88.
Cyber-Randy is wrestling The Ayatollah at a packed Madison
Square Garden. The graphics are late-'80s crude.
Randy flies all over the ring, devastating his foe with a
series of acrobatic leaps and kicks and flips.
Randy wears a look of intense concentration. Adam makes a
scrunched-up face at the screen.
What's that square?
That you're hitting me with.
It's a folding chair.
That's a
chair?
Yes, it's a chair.
Randy grunts, annoyed. They play for a stretch in silence.
This is old.
1988 ain't old.
That was, like, 50 years before I
Shut up and fight.
ADAM'S MOM (O.S.)
(outside trailer)
Adam looks toward the window. Randy hits PAUSE.
Adam turns back to the TV.
Adam nods yeah. Randy un-pauses. Play resumes.
Cyber-Randy drops The Ayatollah with a knee to the chest. And
another. The Ayatollah GOES DOWN. Randy heads to a corner and
CLIMBS TO THE TOP ROPE.
He raises his arms, sticking his elbows out, pressing his
fists to the sides of his head to form a SET OF RAM'S HORNS.
Randy JUMPS. He flies high in the air, soaring over the mat
and crashing down on The Ayatollah horns-first. He pins The
Ayatollah as the ref counts to three for the victory. The
crowd goes wild.
Randy does a little celebratory fist pump. He hits RESET.
Don't you wanna get even? I whipped
That's okay.
Adam gets up and scampers out of the trailer.
Randy, suddenly alone, looks at the TV. He gazes at the words
1 PLAYER <PLEASE SELECT> 2 PLAYER
He selects 1 PLAYER.
A new match begins. Randy plays without much enthusiasm.
After a few halfhearted kicks and punches, he TOSSES THE
CONTROLLER ASIDE.
INT. RANDY'S TRAILER - SHORT TIME LATER
Randy, standing in the middle of the trailer, does a JUMPING
JACK. He does another. A few more.
He feels himself getting winded. A little woozy. He sits
down. He sits still, trying to slow his heart.
He starts to CRY.
Angry, bitter, frightened tears roll down his cheeks.
INT. CHEETAH'S - NIGHT
Randy enters the club. It's crowded tonight. He looks around
for Cassidy. He spots her in a corner offering a CUSTOMER a
lapdance. The customer passes. She moves on.
Randy heads over. She gives him a friendly little cheek peck.
Hey, sweetie. You're back soon.
Ah, I was just in the neighborhood.
Cassidy nods oh.
Hey, feel like maybe grabbing a
Cassidy finds the offer a little odd. This isn't how they
I'm working.
How ‘bout later, then?
She looks at him, puzzled. He seems off.
Can we talk for a sec?
Someplace more quiet.
Randy glances toward the door. Cassidy, catching his drift,
looks at him, a little gravely.
Randy, I can't leave with a
I had a heart attack.
I needed to talk to somebody.
You can't talk here?
Just a couple minutes.
Randy, I don't do that.
Cassidy looks at him, torn. She sees the need, the fear in
Where are you parked?
Another pause of hesitation from Cassidy. This is big.
Go to your car. I'll meet you out
there in 15 minutes.
EXT. CHEETAH'S - REAR PARKING LOT - 15 MINUTES LATER
Randy sits in the van, staring at the club's rear EMERGENCY
EXIT. Cassidy emerges, a jacket covering her dress. Randy
waves. Spotting him, she comes over, climbing in the
passenger side.
Thanks. I appreciate it.
That's okay.
She looks at his vulnerable expression.
I'm sorry. That's fucked up, dude.
Yeah, yeah. Feelin' much better.
Good, good. What happened?
It was while I was wrestling. I
collapsed in the ring.
Oh, man. That's terrible.
Yeah, it was pretty fucked up.
He chuckles, a little perversely.
Tell ya, though, it was a big hit
with the fans.
Promoter told me everybody was
hanging around wondering if I was
okay, they wound up buying up all
of his T-shirts and shit. Whole
merch table got cleaned out.
That's funny.
Randy's grin fades. His expression turns melancholy, fearful.
Doctor says I can't wrestle no
Damn. What are you gonna do?
I don't know. I don't know what to
do. If I can't wrestle.
He loses himself in some bleak thought.
It
just happened. You don't have to
figure everything out this second.
Give yourself some time.
Time's all I got. I just sit there
He stares off bleakly again.
You really shouldn't be alone right
He turns to her, looking her in the eye.
That's why I came to see you.
(a little unnerved)
She looks at him with sympathy.
I feel bad what happened. But you
and me. I can't go there.
Randy gives her a sour, disappointed look.
You should be with family now. You
have a daughter, right? Where is
We don't really get along too good.
It doesn't matter. You need her.
She don't need me.
Everybody needs a father. Trust me.
Randy shrugs, not so sure. Cassidy glances at the dashboard
I'm sorry. I gotta get back in.
She puts a sympathetic hand on his knee.
You take care of yourself.
She gives him a peck on the cheek. He lingers there for a
second. A weird, tentative moment.
You gonna be okay?
He nods, putting his brave face back on.
I'm Randy The Ram. I've taken
bigger bumps than this.
Maybe I'll give my daughter a call.
Why the fuck not? I'm her father. A
person only gets one father in this
Unless you're adopted.
Cassidy laughs. She gives him a friendly pat on the shoulder.
You're gonna be just fine.
Cassidy climbs out of the van. Randy watches as she heads
back into the club.
His cheery expression fades. He is alone again.
INT. RANDY'S TRAILER - DAY
Randy sits on his bed, sifting through a messy, junk-filled
shoebox. He pulls out an OLD PHOTO.
RANDY'S POV: It's a mid-'80s photo of Randy and his infant
daughter Stephanie in front of the family Christmas tree.
Randy, wearing a Santa cap, is smiling and laughing,
Stephanie perched on his huge, steroid-pumped bicep.
He flips the photo over. On the back are a bunch of scribbled
PHONE NUMBERS. They're all crossed-out except the last one.
The numbers get progressively more faded from bottom to top,
as if they've been written down over the course of years.
EXT. PARADISE OAKS - PAY PHONE - SHORT TIME LATER
Randy stands at a PAY PHONE with the photo, ringing phone
cradled to his ear.
STEPHANIE'S VOICE
This is Stephanie, you know what to
do. (answering machine BEEP)
Randy listens to the silence. He hangs up.
Randy sits in his van by the curb of a modest, lower-middle-
class house. He looks at the house, working up the nerve to
EXT. STEPHANIE'S HOUSE - LATER
Randy stands at the doorstep of the house. Steeling himself,
he rings the bell. A WOMAN (22) appears at the door in a T-
SHIRT and PANTIES.
(a little thrown)
Hey. Is Stephanie home?
The woman looks at Randy a little coldly, sensing who he is.
Who can I say it is?
She disappears into the house.
A few moments later, Stephanie emerges with a BACKPACK slung
over her shoulder. In her hands is a TEXTBOOK. She heads
straight down the driveway, blowing past Randy.
He goes after her.
He catches up. She stops.
What do you want?
Now's really not a good time.
She resumes walking, briskly.
Wait!(chasing after her)
He looks at the textbook in her hands:
PRINCIPLES OF CHILD
DEVELOPMENT.
You in school? That's great.
She turns DOWN THE SIDEWALK. He continues following.
Middlesex County Community.
Middlesex? That's kind of a hike.
Where's your car?
You taking the bus? Lemme give you
That's okay.
It's no problem.
Really. I'm parked right by.
Stephanie picks up the pace, trying to lose him.
You're walking pretty fast there.
You running late?
I could help you with that.
Give you a ride.
She keeps right on walking.
New Jersey Transit sucks!
And walking.
RANDY (O.S.) (CONT'D)
The buses smell like piss!
She fights off an amused smile. She slows a tiny bit.
INT. VAN - SHORT TIME LATER
Randy is driving Stephanie.
Left at the second stop sign.
Randy drives. He slows at the second stop sign, which is at a
bigger, FOUR-LANE STREET. He makes the left. They drive for a
stretch in awkward silence. Randy seems a little nervous.
A pause as Randy gathers his words.
There's something I wanted to tell
I had a heart attack.
He looks at her earnestly.
I wanna try to fix things.
Stephanie sits there in calm silence, processing all of this.
You are such an asshole.
Now you wanna fix things. Now that
suddenly you're all scared and
alone from your heart attack.
What? No. It's not like——
This is so fuckin' you. You only
come around when you need something
from somebody, when they can
do
something for you. Selfish fuck.
Good.
Be alone.
She suddenly OPENS HER DOOR as the van is moving. She HOPS
OUT. Randy hits the brakes, alarmed.
What are you doing?
Stephanie stumbles and falls. She gets up. Walks off in the
direction they came from.
She's gone. He angrily punches the steering wheel.
INT. RANDY'S TRAILER - NIGHT
Randy lies on his bed, gazing off depressedly. On his chest
is a well-worn DAY PLANNER, open to a marked-up page.
ANGLE ON page. Scribbled in marker in one of the boxes is
RAHWAY AUTOGRAF SHOW.
INT. RAHWAY RECREATION CENTER - GYMNASIUM - MORNING
Randy, standing at a folding table in a gym, unzips a duffel
bag. He pulls out a stack of 8x10 GLOSSIES of himself. It's a
high-flying, mid-air Ram Jam photo from the height of his
He puts them on the table. Looks around the gym.
RANDY'S POV: He's at an AUTOGRAPH SHOW that hasn't started
yet. Around the perimeter of the gym, TEN FOLDING TABLES are
set up. At each one, a BEAT-UP, WORN-OUT OLD WRESTLER is
laying out his wares——8x10s, old match tapes, etc.
SCOTT BRUMBERG (O.S.)
Didn't think I'd see
you here.
Randy looks up and sees Scott Brumberg, the promoter from the
beginning. He's wearing the same "BRUMBERG - 44" Mets jersey.
Heard you collapsed at the DiFusco
show. Sounded pretty scary.
Randy smiles coyly.
SCOTT BRUMBERG (CONT'D)
Sold the shit outta that one.
I gotta give credit. DiFusco came
up with the idea. We're setting up
an angle for a grudge match.
Wow. Dude, you are good.
Randy gives a proud "Hey, what can I say?" shrug.
SCOTT BRUMBERG (CONT'D)
I was sure I'd have to cancel the
The one I rented for Fanfest.
Randy looks at him, surprised.
SCOTT BRUMBERG (CONT'D)
Me and a whole gang's driving down.
Terry C., Caggiano, Fatback. I am
so fuckin' psyched.
You see the flyer?
Randy looks at him blankly. Brumberg walks over to a nearby
table, where there's a stack of BRIGHT-ORANGE FLYERS. (The
same flyer can be seen scattered around the room on chairs,
the floor, etc.) He grabs one and brings it back over.
SCOTT BRUMBERG (CONT'D)
Volpe gave me an assload to pass
He hands it to Brumberg.
SCOTT BRUMBERG (CONT'D)
That is gonna be
epic.
RANDY'S POV: The flyer.
NICK VOLPE PRODUCTIONS PRESENTS
**** "LEGENDS OF THE RING" FANFEST ****
MAY 5-6, 2008
GREENVILLE CIVIC AUDITORIUM - GREENVILLE, SOUTH CAROLINA
THE MAIN EVENT.
IN A 20TH ANNIVERSARY REMATCH OF THEIR LEGENDERY EPIC
MAY 6, 1988 WRESTLESLAM IV MATCH.
RANDY "THE RAM" ROBINSON VS. THE AYATOLLAH
ALSO SCHEDULED TO APPEAR:
EDDIE RUCKUS, THE MORTICIAN, DEAN "THE DREAM" GIGUNDA,
IVAN PETROV, THE SANDBAGGERS, BILLY BOB BANJO,
J.T. SEXXY, CORPORAL PUNISHMENT, CHRIS COLUMBO.
AND MANY MORE!
Randy nods vaguely at the flyer, his feelings hard to read.
Looks great.
Brumberg looks around the room as the wrestlers set up shop.
Should get a pretty good crowd
Randy holds up his hand, wiggling his fingers for Brumberg.
I'll start loosening up.
Brumberg walks off. Randy looks at the flyer again. A sour
expression comes over his face.
INT. GYMNASIUM - SHORT TIME LATER
The signing is underway. FIVE OR SO FANS mill about the room,
drifting from table to table getting autographs and taking
photos with the motley assortment of washed-up aging
Randy is sitting behind his table, signing one of his 8x10s
for a FAN. He hands it to the guy, who hands Randy a $5 bill.
You got it, broski.
The fan walks off. Randy tucks the fiver into the FANNY PACK
he's wearing. There's not much in there, just a meager few
ones and fives.
Randy zips up the fanny pack. He looks up, ready to sign more
autographs——just as soon as somebody comes over.
INT. GYMNASIUM - SHORT TIME LATER
Randy sits at his table, bored. There are NO TAKERS. He looks
around the room at the other wrestlers.
RANDY'S POV: One is asleep. Another looks borderline
homeless. Across from him is a 40-SOMETHING WRESTLER in a
WHEELCHAIR. Attached to his calf is a URINE BAG. A feeble
stream of urine trickles into the bag.
Randy looks down at the stack of Randy The Ram 8x10s on the
table. He gazes numbly at the high-flying image of himself
from 20 years earlier.
SCOTT BRUMBERG (O.S.)
Randy looks up and sees Brumberg.
SCOTT BRUMBERG (CONT'D)
I was sure the turnout'd be bigger.
Randy shrugs resignedly.
Randy pulls up to his trailer. He sits there with the engine
idling, staring at his trailer, scared to go in alone. He
pulls back out again.
INT. CHEETAH'S - SHORT TIME LATER
MUSIC - LIL' KIM - "HOW MANY LICKS?"
Cassidy, roaming the room, approaches a CUSTOMER sitting near
the stafe. She leans in to his ear, her hand on his arm.
Would you like a lapdance, sweetie?
That's okay.
Cassidy moves along. She approaches a PAIR OF GUYS. She leans
in to one of them.
Would you like a lapdance?
Not right now.
She looks toward the other guy. Before she can even ask:
Cassidy heads off, rejected.
She turns and sees Randy. She's happy to see him after the
string of no's.
Hey. How ya feeling?
Better. Good.
She leads him over to a table. They sit.
How'd it go with your daughter?
Randy dodges her eye contact.
Not too good, actually. She tore me
a new asshole.
Shit. That sucks.
He nods dispiritedly.
It's tough. You can't give up. You
gotta keep trying.
Another half-hearted nod. A brief conversational lull.
I was thinking about maybe getting
her a present.
That's a great idea!
I'm not sure.
What kind of music does she like?
I don't know.
Is she into books? Cooking?
Randy just looks at her blankly.
How could you not know? She's your
I'm a shitty fuckin' father.
Cassidy, feeling bad, is hit with an urge to help.
You should get her some clothes,
some kinda clothes. All girls
That could work.
I know the perfect place. This kick-
ass little vintage shop in
Saturday's the best time to go.
That's when they get the new stuff
in, all these boxes full of great
I'll write it down.
Cassidy grabs a pen and a cocktail napkin off the bar.
I'm pretty sure it's on 28.
She scribbles down
YESTERDAZE - WESTFIELD. Hands it to him.
Good tip. Thanks.
Cassidy starts dancing for him, as is their routine. Randy
doesn't seem into it.
I'm gonna grab a drink at the bar.
Randy gets up and heads off toward the bar. She watches him
go, feeling rejected.
Cassidy gets up. CAMERA stays on her face as she does a lap
around the club. She glances back toward the bar.
CASSIDY'S POV: Randy is sitting at bar.
She scans the room. A CUSTOMER is looking her way. She starts
to approach. Then, she STOPS. She looks back toward Randy
again. He's sitting at the bar alone. She heads over to him.
He looks up from his drink.
That was fast.
Cassidy pauses, hesitant. She takes the plunge:
How ‘bout I meet you there
Saturday? Help you out.
I'm actually gonna be running
around right in that area anyway,
so it's not really a pain.
All right. Thanks.
No problem. You got it.
She gives him a chummy arm tap and walks off.
INT. SHOP-RITE - MORNING
Randy knocks on Wayne's door.
INT. WAYNE'S OFFICE - CONTINUOUS
Wayne looks up at Randy, mildly annoyed by the disruption. On
his computer screen is an ONLINE POKER game.
Hey, Wayne. Got a sec?
Not really. What?
I was wondering if you had
something more steady. Full-time.
Only thing I got right now's got
Isn't that when you sit on other
Deli counter.
Randy seems a little hesitant.
So, like, working with customers?
All day long, hot horny housewives
begging for your meat.
And prepared salads.
Randy thinks it over.
That's the only thing you got?
At the moment. You interested?
EXT. SUNRISE SHOPPING PLAZA - PARKING LOT - DAY
Randy stands alone in front of YESTERDAZE, a strip-mall
vintage clothing store. He looks at his watch, almost
thinking of leaving.
Randy looks up. He seems slightly thrown by what he sees.
RANDY'S POV: It's his first time seeing Cassidy in street
clothes and in daylight. She's not wearing makeup, and her
hair is pulled back in a ponytail. She's also a good three
inches shorter out of her stripper heels.
They shake hands, a bit awkwardly.
I almost didn't recognize you. You
look all. clean.
Like classy.
Gee, thanks.
Nah, nah, I don't mean that bad. I
It's like in "Grease", where she
turns into the hot rock ‘n' roll
chick at the end. Except backwards.
Randy looks at her sneakers, a far cry from the clear heels
he's used to.
So, uh. Should I call you Cassidy
She gives the question genuine thought.
Pam.(playful finger wag)
But don't get used to it.
INT. YESTERDAZE - SHORT TIME LATER
Randy follows Cassidy toward the back of the store. He looks
around, taking in the array of funky ‘50s/'60s/'70s clothes.
This is awesome.
(rubs hands together,
We are gonna find something great!
Cassidy is less loose and playful than Randy, much more in
business mode. They come to the back where, against the wall,
she finds what she's looking for: a bunch of CARDBOARD BOXES
bursting with a wildly eclectic assortment of tops, skirts,
pants, etc. She starts sifting through.
Do you know her size?
She's kinda skinny, a little
shorter than you.
Cassidy spots a fun, multi-color MINI-SKIRT. She pulls it
Could you see her in this?
I'm not sure.
Cassidy tosses it back in. She unearths a Flashdance-style
Randy makes a sour face. She tosses it back.
So like, what is she? Goth? Punk?
Randy ponders the choices.
Cassidy lets out a good-natured groan of frustration. Randy
watches as she continues searching.
Thank you very much.
Cassidy looks at him. She can feel his sincere appreciation.
You're welcome.
She returns to searching. Sift, sift, sift, sift.
I think she might be a lesbian.
Cassidy stops sifting. She looks up at him.
Cassidy leads Randy by the arm over to the.
Cassidy heads to a RACK OF CLOTHES. She quickly zeroes in on
a RETRO BOWLING SHIRT. She holds it up to Randy, who makes a
scrunched-up face.
Ah, maybe she's just a friend.
Cassidy puts the bowling shirt back. As she does, something
catches Randy's eye.
Cassidy holds up the item for Randy.
An excited look comes over Randy's face.
It's perfect.
RANDY'S POV: A satin-green ROLLER-DISCO JACKET. Embroidered
on the left breast is a big "S" in purple script. It's UGLY.
Cassidy looks at the jacket. She clearly finds it awful.
She looks at Randy, who's beaming with excitement and pride.
She finds it very endearing.
EXT. SUNRISE SHOPPING PLAZA - PARKING LOT - SHORT TIME LATER
Yesterdaze bag in hand, Randy opens the door to his van. He
and tosses the bag inside. He's on a post-shop high, mission
Thanks again.
You found it.
I never woulda known about this
Okay, I'll give you that.
A tentative pause. Cassidy looks at him, ready to part ways.
Man, I worked up a pretty good
thirst in there. What say we grab a
I gotta get going.
One beer! We gotta re-hydrate!
Cassidy seems torn.
I got a kid at home.
Cassidy nods. Yup.
I had no idea.
Cassidy shrugs casually.
Boy. Daniel.
Wow. I had no friggin' idea.
It's not something I usually tell
customers. Not exactly a turn-on.
Randy looks off at something by his van. An idea hits him.
He unlocks the door. Leaning into the van, he TEARS THE RANDY
THE RAM ACTION FIGURE OFF THE DASHBOARD. He proudly,
excitedly holds it out to Cassidy.
Now both our kids got something.
She looks at the action figure, reluctant to take it.
You're gonna turn this down, too?
Man, you're rough!
Cassidy chuckles a little. She takes it.
That's very nice of you. Thank you.
Tell him to take good care of that.
$300 bucks on eBay.
Cassidy laughs a little. She can't help but be charmed by his
sweetness and earnestness. After a pause.
INT. LOCAL BAR - SHORT TIME LATER
Randy and Cassidy are having beers at the bar. He's holding
her CELLPHONE, looking at PICTURES of her son. He moves on to
the next one.
He's a good-lookin' kid.
I see where he gets it from.
Cassidy smiles, flattered.
He sure doesn't get it from his
douchebag father.
Randy skips to the next pic. It's a shot of an UNDER-
CONSTRUCTION CONDO BUILDING.
Just this condo thing, down by
You moving there?
Working on it.
It's a great area. Way cheaper. And
the schools are awesome.
What about Cheetah's?
I'm done. I'm quitting.
(a little disappointed)
Oh. (nods to self)
MUSIC: DEF LEPPARD - "POUR SOME SUGAR ON ME"
Randy's ears perk up at the song on the jukebox.
He stands up, reaching out for Cassidy's hand. She doesn't
C'mon. Let's dance.
This isn't a dance place.
Who cares? Fuckin' Def Lep!
I've danced to this plenty.
Fine. Then I'm dancing for
you.
Randy starts DANCING in front of Cassidy, who's sitting on a
barstool. She smiles.
Is this a lapdance I'm getting?
Randy goes into lapdance mode, "seductively" writhing for
her, silly and self-aware.
Just sit back and enjoy.
He turns around, wiggling his ass a little for her. He runs
his hands up and down her sides. He drapes his long blond
mane over her shoulders, running it over her face. She
laughs, charmed and amused.
He gazes into her eyes intensely.
The lapdancer has become the
Cassidy laughs. He continues dancing, totally unembarrassed.
I think we can get you a shift.
Randy bobs his head along to the kick-ass Def Leppard tune,
really loving it.
The song builds to its chorus. Randy SINGS ALONG.
Take a bottle, shake it up/
Break
the bubble, break it u-up.
Pour some sugar on me! In the name
Cassidy, unable to resist the call of the Lep, joins in.
CASSIDY AND RANDY
Pour some sugar on me! C'mon fire
(pointing at each other)
Pour your sugar on me! I can't get
(eye contact, sultry)
I'm hot, sticky sweet/ From my head
to my feet yeah.
From here, the song veers off into a GUITAR PART. Randy nods
along, savoring the awesome hair-metal riffing.
They don't make ‘em like they used
Fuckin' eighties, man. Best shit
Def Lep, Gunners.
Then that Cobain pussy had to come
around and ruin it all.
Like there's something wrong with
having a good time.
Fuckin' mopey douchebag.
"Ooh, look at me! I wear flannel!
I'm all depressed!"
"I'm from Seattle! I like rain!"
Randy shakes his head sourly.
Nineties fuckin' sucked.
Their EYES MEET. A moment of CHEMISTRY. Mutual attraction.
Randy moves closer, his eyes locked on hers. He leans in
for. a KISS.
They MAKE OUT for a few seconds. Cassidy PULLS BACK.
She gives Randy a playfully scolding FINGER WAG, masking her
fear and discomfort with what just happened.
No contact with the customers.
You're right. My bad.
He keeps right on dancing, totally unaware of the shift that
just occurred in her.
(glancing at watch)
I totally didn't realize the time.
We just got here.
I should get home.
She stands up. Randy is very disappointed.
C'mon. You said one beer!
Randy points toward her ALMOST-FULL BEER on the bar. She
picks it up and CHUGS the whole thing. She slaps the empty
bottle on the bar.
She gives him an arm pat and walks out of the bar. Randy is
INT. SHOP-RITE - EMPLOYEE ROOM - MORNING
It's Randy's first day of work. He slips into a DELI COAT.
Tucks his hair into a hairnet. Pulls a Shop-Rite baseball cap
over the hairnet.
He walks over to a mirror to see how he looks in his new
uniform. He feels a little silly.
He turns and sees Wayne, who hands him something. Randy looks
at the item in his hand, vaguely bothered.
I thought it was gonna say Randy.
ANGLE ON item, a Shop-Rite NAME TAG. The name on it is
ROBIN.
Guess they got it off your W-4.
Do I really even need to wear one?
Are you gonna be interacting with
our valued Shop-Rite customers?
Yeah, but I——
Could they maybe re-do it?
Just wear the fucking thing.
Wayne walks off. Randy pins the name tag to his apron. He
takes another look in the mirror, sighing unhappily.
Randy looks up at the employee-room clock. It's 8:59 AM.
He heads toward a RUBBER-STRIP CURTAIN leading to the deli
counter. Standing before the curtain, he pauses a moment,
gathering himself like before a wrestling match.
He steps through. Showtime.
INT. DELI COUNTER - DAY
About 10 CUSTOMERS hover in front of the deli counter with
Randy, manning the counter, hands an OLD GUY in a
WWII
VETERAN baseball cap a packet of roast beef. The guy shuffles
off. Randy looks up at the Take-A-Number sign.
A WOMAN (60s) steps forward holding a 17 and a SHOP-RITE
CIRCULAR. She carefully surveys the TURKEY-BREAST SELECTION
in the case.
The Hudson Acres, are they all on
sale or just the regular?
Randy looks clueless.
(holding up circular)
It's a little unclear.
She hands the circular to Randy to take a look.
RANDY'S POV: It says
HUDSON ACRES TURKEY BREAST - $5.99/LB.
He still has no idea.
I'd prefer the maple-glazed, but if
it's full price.
Randy briefly catches eyes with another customer, a BIG-
HAIRED, SEMI-HOT PARTY CHICK in her forties. The kind of
woman Randy would hit on in a bar. He dodges her eye contact,
embarrassed by the context.
(to circular lady)
Hang on, let me.
Randy picks up a phone behind the counter.
(into phone, over
Wayne, please come to the deli
He cringes a bit as his voice booms over the store speakers.
He hangs up and returns to the customer.
It'll just be a minute.
The woman, nodding, looks into the deli case again.
Which in your opinion is the best
I guess it depends what you like.
I tried the Apple Valley Farms
once, and it was very salty. Do you
Randy steals a self-conscious glance at the party chick.
INT. DELI COUNTER - LATER
ANGLE ON Take-A-Number sign. It says
NOW SERVING: 46.
A WOMAN (35) in workout clothes steps forward with a 46.
Could I get a half-pound of the
pesto pasta salad?
Randy grabs a plastic container.
Pesto change-o.
The woman smiles at Randy's little offhand pasta pun. This
pleases him.
Randy scoops pesto pasta salad into the container. He puts
the container onto the scale. It reads
.51 LB.
Wow. I am good.
This gets Randy a small chuckle from the woman. Randy slaps a
price tag on the container.
Can I get you anything else?
Nope. That's it.
He hands her the container.
You have yourself a nice day.
I will. You, too.
The woman heads off. Randy's spirits are lifted by the
INT. DELI COUNTER - LATER
Randy looks up at the Take-A-Number sign:
NOW SERVING: 57.
A HOUSEWIFE-TYPE steps forward with the number.
The housewife smiles.
Anything in the case, sweetheart.
A pound of chopped liver and a half
a pound of egg salad.
I think that can be arranged.
He grabs a plastic container and throws it in the air,
catching it behind his back.
EXT. MIDDLESEX COUNTY COMMUNITY COLLEGE - DAY
Stephanie emerges from the Middlesex County Community College
building. A look of surprise comes over her face.
STEPHANIE'S POV: Randy is standing there waiting for her by
his van. Under his arm is a LUMPILY WRAPPED PRESENT, no box.
What are you, stalking me?
Do stalkers bring presents?
Well, I ain't a stalker. But.
He excitedly hands her the present. She looks at it warily.
She opens it. Inside is the green satin jacket. She holds it
up, trying to process.
The "S" is for "Stephanie".
She looks at the jacket. It's nothing she would ever wear.
I got it just for you.
I see that. What's it for?
No reason. Just because. Do you
I do. It's. shiny.
She looks at Randy. He is excited and proud.
I was looking in this store and saw
it, and I just said, "That is
it."
Stephanie nods, smiling politely.
So what are you doing now?
Got any time? I was thinking we
could swing by our old favorite
We have an old favorite spot?
You'll remember when you see.
Now's not the best time. I've got
some things to do.
What kinda things?
You ain't got stuff!
C'mon, give an old man a break.
He giver her his biggest, most charming puppy-dog smile.
EXT. POINT PLEASANT BOARDWALK - LATER
Randy and Stephanie walk along the boardwalk. It's a charming
little Jersey-shore boardwalk/beach lined with Skee-Ball
games, ice-cream parlors, T-shirt shops etc. It's a bit cold
and not very crowded, still out of season.
You really don't remember?
Guess you were pretty young.
They walk for a stretch in silence. He points to a spot.
There used to be this funhouse.
The Monster Motel.
Randy chuckles at the memory.
They had this cheesy-ass skeleton
that popped out of a coffin. You'd
get so scared, you'd cry. Then
you'd beg to go in again.
(chuckles to self)
Always was a glutton for
You'd hop on my foot and wrap your
arms around my leg. I'd have to
walk you the whole way through like
I totally don't remember.
(looks at her sweetly)
EXT. BOARDWALK - SHORT TIME LATER
Randy and Stephanie sit on a bench facing the ocean eating
mint-chocolate chip ice-cream cones. Randy is quiet and
contemplative, not in his usual "on" mode. He takes a deep
I accept your apology.
She shoots him an irked look.
Not like that. I just mean. You
made amends. I free you.
Her expression softens.
Anything you've ever done or said
or thought, I forgive. You've done
nothing wrong to me. And anything
I've ever done.
I'm sorry. Truly.
Stephanie is surprised by his emotion and sincerity.
I was young. My career was booming.
All those lights, the fans, the
crazy shit on the road. I wasn't
thinking about my kid. Or my wife.
Stephanie nods.
My priorities were all fucked up. I
know that. But now. I wanna try
to make things right. I wanna try
to get to know you.
I just hope it's not too late.
Randy gazes off at the ocean, filled with fear and love and
regret. A tear starts to gather in his eye. He wipes it away
before it has a chance to form.
Stephanie looks at him, moved.
INT. BOARDWALK ARCADE - SHORT TIME LATER
Randy and Stephanie play Skee-Ball side-by-side, father and
EXT. STEPHANIE'S HOUSE - SHORT TIME LATER
Randy stands with Stephanie in front of her house, dropping
Hope that wasn't too painful.
It was okay.
Randy, unsure what to do, extends his hand.
They shake. He pulls her in for a brief, mechanical hug.
Another pause.
So. How about dinner sometime?
Stephanie thinks it over.
I'm sorry. I don't think so.
(nodding, "casual")
Or not. That's cool, whatever.
Wednesday would work better.
Randy is surprised and happy.
INT. RANDY'S TRAILER - LATER
Randy sticks the old Christmas photo of Stephanie and himself
on the fridge.
EXT. PARADISE OAKS - PAY PHONE - DAY
Randy stands at the pay phone, ringing phone to his ear. In
his hands is his day planner, open to a page marked up with
upcoming gigs.
Yo, Miggy. Ram. How ya doin'?
Listen, you're gonna have to count
me out for Utica.
(momentous pause)
I'm retiring.
EXT. PAY PHONE - MOMENTS LATER
Another call.
Hey, how ya doin', Frank?
Good, good. Listen.
EXT. PAY PHONE - MOMENTS LATER
Another call. Randy is holding the Fanfest flyer.
Sorry, Volp. You know I'd kill to
I realize. I understand.
No more. I'm done. I'm retired.
Positive. It's time to move on.
INT. CHEETAH'S - NIGHT
MUSIC: WARRANT - "CHERRY PIE"
Cassidy is up on stage, doing her thing for a sizable crowd.
She slinks up to a customer who's holding out a dollar bill
for her. She pulls on her G-string band, snapping it shut on
She moves over to another customer holding out a dollar and
Hey. Over here.
She looks toward the voice, coming from another side of the
CASSIDY'S POV: Standing there is Randy, holding out a PURPLE
ENVELOPE. He looks toward her G-string, like he wants to put
it in like a dollar bill.
She takes it with her hand instead.
INT. CHEETAH'S - SHORT TIME LATER
Randy and Cassidy sit together at a table. Cassidy is holding
the purple envelope, looking a little uncomfortable.
I'll do it later when it's quiet.
I wanna watch.
Reluctantly, Cassidy opens it. Inside is a GREETING CARD.
CASSIDY'S POV: On the card's front, a cartoon monkey is
holding a big bunch of bananas. Across the top, it says
THANKS A BUNCH!
Randy watches excitedly as she reads the inside. She puts the
it down after reading it.
That's very sweet. Thank you.
Thank
you. I couldn't've done it
without you.
I'm glad I could help.
It was fun, right? We had a good
She nods politely, reservedly, clearly trying to pull back.
Another guarded nod.
Hey, you ever been to Mother
They got this kick-ass cover band
Tuesday nights. Play anything you
can think of. What do you say we——
I can't do this.
("you and me" gesture)
Randy is confused and disappointed.
I thought we had a little something
I think you're awesome. You're a
You think I'm, like, this
stripper,
but I'm not. I'm a mom, with
responsibilities. I don't think you
wanna get with that.
I can't go there.
What about the other day?
That was a mistake.
The club and the real world, they
What if we'd met someplace else?
But what if we did?
We
didn't.
You say I don't know you, but you
won't let me get to know you.
You're a
customer. You're just a
fucking
customer. That's it. Okay?
A long, wounded pause from Randy.
He takes a $20 out of his pocket, holding it out to her.
He slides it across the bar to her. She slides it back.
You're refusing a customer?
He slides the $20 back to her.
Gimme a lapdance.
She slides it back again.
What? Am I a customer or not?
He waves the $20 tauntingly in her face. She pushes it away.
What's the matter?
So fake it. I'm just a stupid
He tauntingly dangles the $20 in front of her again.
It doesn't mean anything.
She looks away, trying to ignore him.
C'mon, give the customer a
lapdance. Shake your tits. Smile.
Pretend you like him.
I want a lapdance.
She SWATS HIS HAND. The $20 falls to the floor. He picks it
up and SLAMS IT on the bar.
I WANT A LAPDANCE!
People turn and stare. Randy storms out of the club,
INT. SHOP-RITE - DELI COUNTER - DAY
About 10 CUSTOMERS hover in front of the DELI COUNTER
clutching Take-A-Number tickets. Randy, manning the counter
with a COWORKER, hands a WOMAN a packet of roast beef.
Can I help who's next?
An OLD LADY steps forward.
Pound of German potato salad,
Randy grabs a container and starts scooping potato salad. He
puts the container on the scale. It reads
1.06 LB.
OLD LADY (CONT'D)
A little less.
Randy scoops out a little and weighs it again. The scale
reads
.96 LB.
OLD LADY (CONT'D)
A little more.
Randy puts a little more in. The scale reads 1.03.
OLD LADY (CONT'D)
A little less.
Randy, trying to contain his aggravation, takes a tiny bit
out. The scale reads 1.00. The lady nods in approval.
Randy slaps a price sticker on the container and hands it
across the counter.
Have a nice day.
She shuffles off with her potato salad.
Can I help who's next?
A BLUE-COLLAR GUY (40s) steps forward.
Yeah, could I get a.
The guy does a DOUBLE-TAKE, noticing Randy's face.
CUSTOMER (CONT'D)
Do I know you from somewhere?
I don't think so.
The guy studies Randy's face, trying hard to place it.
You look so damn familiar.
(racking his brain)
Sorry, man. What can I getcha?
Half pound of Virginia ham and a
half pound of the Jarlsberg.
Randy reaches into the case and pulls out a ham. He brings it
over to the slicer, his back turned away from the guy.
CUSTOMER (O.S.) (CONT'D)
I
know we've met someplace.
Slice, slice, slice, slice.
CUSTOMER (O.S.) (CONT'D)
You play softball?
Slice, slice, slice, slice.
You're not one of Mikey Bosch's
buddies, are you?
Randy, shaking his head no, brings the sliced ham over to the
weigh scale. The guy SNAPS HIS FINGERS.
CUSTOMER (CONT'D)
He looks at Randy, surprised and amazed.
CUSTOMER (CONT'D)
Randy The Ram?
Randy stands there frozen.
The old wrestler. From the '80s.
Randy, shrugging blankly, wraps up the ham and slaps a price
CUSTOMER (CONT'D)
(forms Ram horns)
Randy grabs the Jarlsberg from the case and brings it over to
the slicer. He starts slicing.
CUSTOMER (O.S.) (CONT'D)
Wow, that's freaky. You look just
like the dude. Except older.
ANGLE ON the block of cheese as Randy slices. There's only a
SMALL CHUNK left. The chunk dwindles, getting smaller and
smaller. The cheese separating Randy's fingers from the blade
He almost seems tempted.
INT. RANDY'S TRAILER - LATE NIGHT
Randy, unable to sleep, sits shirtless on the couch, staring
blankly at the TV.
An NBA HIGHLIGHT CLIP of a FEROCIOUS DUNK. The crowd goes
wild. The player roars as he runs back up court, full of
macho swagger.
Randy's eyes drift downward toward his chest. He gazes at the
still-fresh scar. Touches it tenderly.
He takes a big swig of wine, polishing off a bottle. He pops
a cassette into the BOOMBOX on the floor. GUNS ‘N' ROSES -
USE YOUR ILLUSION II.
Randy cranks up the volume and hits PLAY.
MUSIC: GUNS ‘N' ROSES - "GET IN THE RING"
The song begins with the sound of a ROARING STADIUM CROWD. A
CROWD (ON THE SONG)
Guns! And! Roses!. Guns! And!
Randy starts to prowl the floor like it's a wrestling ring
before a match. He waves his arms, exhorting the crowd on the
song as if their cheers are for him.
(cups hand to ear)
Randy works the crowd. He points at a fan in the back row.
Flexes theatrically. Bangs his head on pretend chairs.
Randy grabs the top rope and gives it a hard shake. Loosening
up with some neck rolls and trunk twists, he heads to the
center of the ring.
Folks, we are ready to rumble.
The song, which starts with a slow, bluesy guitar intro,
kicks in. FAST, RAGING HARD ROCK.
Randy stares down his invisible opponent. The opponent SUCKER
PUNCHES him. Randy drops to the ground.
Randy lies on the floor getting kicked and punched. He knocks
his opponent down with a LEG SWEEP and pops up.
Randy hits his opponent with a flurry of backhand chops.
I've never
seen such determination!
Randy immobilizes his opponent in some sort of headlock.
Randy flips his opponent upside down, his head between his
knees. He drops him headfirst onto the bed/mat.
Just
listen to this place!
Randy scoops up his opponent again and SLAMS HIM TO THE MAT
with another fancy move.
The song reaches its frenzied, chant-like CHORUS:
Get in the ring! Get in the ring!
Get in the ring! Get in the ring!
Randy joins in, pumping his fist.
Get in the ring! Get in the ring!
Get in the ring! Get in the ring!
INT. NINTH INNING COLLECTIBLES - DAY
A strip-mall sports-card/comic-book shop. Tacked to the wall
by the entrance are FLYERS for various events——card shows,
autograph signings, etc.
Behind the counter is promoter Scott Brumberg, scarfing down
a sloppy Subway sub. The door opens. He looks up, smiling.
Randy heads over and gives him a warm hello handclasp.
Brumberg pulls him in for a hug.
How's tricks? Good to see ya, man.
Yeah, good, good.
So what brings ya by?
Well. I was thinking about maybe
doing a reffing gig.
I thought you're retired.
No wrestling, just reffing. Thought
it might be fun. Shits ‘n' giggles.
Brumberg, nodding, reaches down and grabs out a beat-up
SPIRAL NOTEBOOK with old event flyers sticking out.
See what we got.
INT. BRIDGEPORT NORTH HIGH SCHOOL - CAFETERIA - LATER
A high-school cafeteria. Randy is slipping into a REFEREE
UNIFORM. Along the wall hangs a vinyl banner reading
CAPW -
CONNECTICUT ALL-PRO WRESTLING.
Randy looks up and sees BOOKER D (30s), a big, black wrestler
in FULL PIMP REGALIA. Though not a pro like Randy, he's upper-
tier indie circuit. Randy gives him a grin and handshake.
Me and McPride was going over
spots. We got this dope idea how to
work you in.
I really ain't lookin' to mix it up
You're gonna love this. Check it
out. So McPride——
That's okay. You guys do your
Booker D looks at him, surprised and puzzled.
INT. BRIDGEPORT NORTH H.S. - GYMNASIUM - SHORT TIME LATER
Booker D lands on opponent SHAWN MCPRIDE with a BIG SUPLEX.
He falls on top of McPride for the pin. Randy The Ref smacks
the mat, counting.
McPride kicks out. Booker D lifts up McPride. He hits him
with a CHEST CHOP, sending him stumbling backwards into the
ropes. Booker D goes after him.
CAMERA STAYS ON RANDY'S FACE as he watches them wrestle off-
Randy's eyes are glued to the action. Punches. Kicks.
Suplexes. Bodyslams. The crowd is going crazy.
He is tempted. Salivating almost.
More punches. More cheers. Bodies crash loudly against the
mat. Randy's temptation grows with each shot. He can't resist
Randy pushes Booker D out of the way. He's SMASHED IN THE
FACE by a McPride-swung folding chair meant for Booker D.
Randy goes down. A TRACE OF A SMILE is visible on his face.
INT. BOYS' LOCKER ROOM - SHOWER AREA - POST-MATCH
Randy, Booker D, and McPride are SHOWERING in the open shower
area. They're on a post-match high.
What a screwjob.
Crowd was
pissed.
McPride gives Randy a "We're not worthy" bow of respect.
SHAWN MCPRIDE (CONT'D)
(wags finger, grins)
Just reffing, my ass. I
knew you'd
get in there.
Randy gives him a "Hey, what can I say?" shrug.
Y'all feel like grabbing a drink?
McPride and Booker D both look toward Randy. He's the one
they're interested in hanging with.
INT. HOLIDAY INN BRIDGEPORT - HOTEL BAR - LATER
A hotel bar, lively and hopping with a weekend crowd. Randy
sits at the bar, holding court with Booker D and McPride.
They're all well on their way to being drunk.
By the time Ruckus fixes the tire,
we've had so many Nyquil coladas we
don't even realize we missed the
Booker D and McPride CRACK UP.
Swear to God. Can't make stuff like
Yo, tell McPride shit-pit!
You never heard that one?
McPride looks at him blankly.
Oh, man, fuckin' classic.
1990. Nashville Coliseum, Rage In
The Cage II. I'm in the locker room
shaving when behind me the stall
door opens. I turn and there's
Chris Columbo on the can taking a
dump. He goes, "This is for
Petrov", fuckin'
wipes his ass,
takes the shit-covered toilet paper
and
rubs it in his armpit. Five
minutes later, he's in the ring
with Petrov in a headlock, poor
Petrov stuck there in CC's pit
lookin' like he's gonna puke!
McPride and Booker D roar with delight.
Fuckin' classic.
Randy beams proudly.
BOOKER D (O.S.) (CONT'D)
Booker D spots something intriguing by the bar entrance.
Randy and McPride follow his gaze there.
RANDY'S POV: TWO WOMEN——late 30s, frosted hair, tight denim
miniskirts——just walked in the bar. He catches the twosome
stealing a glance in their direction.
BOOKER D (CONT'D)
Ring rats, 12 o'clock.
Randy and McPride seem to agree with his assessment.
INT. HOTEL BAR - LATER
MUSIC: BLACK CROWES - "HARD TO HANDLE"
The wrestlers are dancing with the women, MELISSA and ALYSSA,
on the bar's dance floor. Melissa is sandwiched between
Booker D and McPride, shaking her ass for them like a 19-year-
old spring breaker.
Alyssa is paired off with Randy, grinding her ass against
him. She turns, facing him. Looks at him with a coy smile.
I know who you are.
She slowly runs her hands up Randy's sides.
My brother used to have your poster
on his door.
Randy smiles, pleased.
Dude's got taste.
Alyssa notices something intriguing over Randy's shoulder.
Randy turns to see what she's looking at.
RANDY'S POV: Standing by the bar is a MAN.
He turns back to Alyssa.
A.J. My old coke dealer.
Randy nods oh. A slightly weird moment between them.
I don't do that anymore.
They exchange a look.
INT. WOMEN'S BATHROOM - SHORT TIME LATER
A single-person bathroom. Randy and Alyssa are doing BUMPS OF
INT. WOMEN'S BATHROOM - SHORT TIME LATER
Randy is FUCKING Alyssa from behind over the bathroom sink.
Alyssa MOANS LOUDLY.
Oh, Gawddd.
There's a KNOCK at the door.
Could you please fuck someplace
else? I gotta piss.
BLACK SCREEN.
RANDY'S POV: His eyes slowly open. Staring down at him from a
white stucco ceiling is a poster of a HUNKY, SHIRTLESS
FIREMAN with a pair of suspenders stretched across his oiled-
up six pack. Across the bottom it says
FIVE-ALARM FIRE.
Randy looks around, disoriented. He is NAKED in a strange bed
in a strange bedroom. His clothes lie on the floor next to a
LARGE GLASS BONG.
INT. KITCHEN - SHORT TIME LATER
Randy, wearing only a pair of bikini briefs, staggers into
the KITCHEN. A ROOMMATE (23) in a Tweety Bird nightshirt is
pouring herself a bowl of Honey Nut Cheerios. She looks at
Randy with a casual "wassup" head-nod.
Alyssa's in the shower.
EXT. APARTMENT BUILDING - SHORT TIME LATER
Randy emerges from Alyssa's building in the previous night's
clothes, squinting at the blinding sunlight.
INT. RANDY'S TRAILER - SHORT TIME LATER
Randy enters his trailer, chuckling amusedly. He tosses his
keys on the table.
He heads over to the fridge and grabs a beer. As he closes
the fridge, his expression changes. A look of DEEP DISMAY
comes over his face.
RANDY'S POV: The old photo of him and Stephanie on the fridge
EXT. STEPHANIE'S HOUSE - SHORT TIME LATER
Randy rings the bell. Stephanie's "friend" answers the door.
She stares at him coldly and unnervingly.
Is Stephanie home?
She goes into the house, closing the door behind her. Randy
stands there awkwardly, unsure what that meant.
He thinks about knocking but doesn't. He carefully turns the
knob, leaning into the house. From somewhere inside, he hears
the MUFFLED SOUND of Stephanie and The Friend talking.
INT. STEPHANIE'S HOUSE - CONTINUOUS
Stephanie and The Friend are arguing in the living room.
You don't have to go out there. You
don't owe him shit.
I know that.
Then why would you even——
(looks up toward front
Who said you could come in?
THE FRIEND'S/STEPHANIE'S POV: Standing there is Randy, gazing
guiltily at Stephanie.
Please leave my house.
I'm so, so sorry. I completely,
Get the fuck out of here!
I can handle this.
Obviously not.
I can handle this, Jen.
The Friend, disgusted, grabs her coat and STORMS OFF out the
Randy and Stephanie are alone. She glares at him for what
feels like a long time.
STEPHANIE (CONT'D)
You're such a fucking asshole.
I feel horrible.
I waited in that restaurant two
hours. Two fucking hours. Just in
case you showed up late.
"Maybe he
got stuck in traffic. Maybe I got
the time wrong".
I know I fucked up. I fucked up
You didn't fuck up. You
are a fuck-
up. A walking, living, breathing
I'm trying to change. Really. I
can't stand when I——
Just please shut the fuck up.
Because I can't even stand the
sound of your voice.
STEPHANIE (CONT'D)
I thought about having a drink for
the first time in 11 months last
night.
That's what you do to me.
She grabs a SMALL POTTED PLANT off the table and THROWS IT AT
HIM. It NARROWLY MISSES HIS HEAD, exploding against the wall.
STEPHANIE (CONT'D)
Fucking piece-of-shit asshole!
She grabs a CAN OF SODA off the same table and THROWS IT. It
NAILS HIM IN THE THIGH, exploding open on the floor. Soda
sprays everywhere.
She looks around, half-crazed, searching for something else
to throw. He rushes toward her, wrapping her up in his arms.
He SQUEEZES TIGHTER. She THRASHES AROUND, fighting it.
GET THE FUCK OFF ME!
(thrashing violently)
You don't mean that!
FUCKING HATE YOU!
YOU DON'T MEAN IT!
Suddenly, she STOPS RESISTING. A STRANGE AND UNEXPECTED CALM
washes over her.
She is silent and still.
STEPHANIE (CONT'D)
You're right. I don't.
She shakes her head, placidly gazing off.
STEPHANIE (CONT'D)
I don't know why I got so
hysterical. There's no reason. I
don't hate you. I don't love you. I
don't like you. I was stupid to
think you could change.
I can change.
I know I can.
Doesn't matter. I don't care. I'm
No more fixing it. It's broke.
Permanently. I'm cool with it. It's
better that way.
She turns and looks him in the eye.
STEPHANIE (CONT'D)
I don't want to ever see you again.
I don't wanna see you, I don't want
to hear you.
Done. You understand?
Randy doesn't.
STEPHANIE (CONT'D)
Actually, I don't care if you
She walks toward the front door. Opens it wide.
STEPHANIE (CONT'D)
EXT. STEPHANIE'S HOUSE - CONTINUOUS
Randy steps out the front door. Stephanie's cellphone rings.
She looks at the caller ID and picks up.
You can come home.
She closes the door on him, disappearing inside the house.
Randy stands there alone on his daughter's front step. Unsure
what to do. He starts to CRY.
INT. SHOP-RITE - DELI COUNTER - DAY
ANGLE ON Take-A-Number sign. It reads
NOW SERVING: 54
A crowd of AGGRAVATED CUSTOMERS stand waiting at the counter.
A FAT GUY in a motorized cart clutching a 71 throws a fellow
customer a "Do you believe these morons?" eye roll.
Behind the counter are Randy and a COWORKER. Randy is putting
a block of Havarti onto the slicer. He moves lackadaisically,
Wayne, noticing as he roams past, heads over.
Let's pick it up. Rush hour.
Wayne gives him TWO QUICK CLAPS and walks off. Randy adjusts
the machine's setting and begins to slice. He isn't moving
much faster.
CUSTOMER #1 (O.S.)
CUSTOMER #2 (O.S.)
While we're young.
Any year now.
Randy keeps right on slicing at his unhurried pace. He gets
in a nice, meditative groove.
Slice, slice, slice, slice, slice.
He watches as his thumb inches closer to the spinning blade.
He stares at his thumb. At the blade. His thumb.
He JAMS HIS THUMB INTO THE BLADE.
Blood squirts everywhere. On his coat. On the deli meat.
Randy stares at the DEEP GASH, watching as blood pulses out
in crimson surges. He smiles strangely at it.
A customer GASPS. A commotion quickly spreads.
WAYNE (O.S.) (CONT'D)
Randy turns and sees a shocked Wayne rushing toward him.
Wayne takes Randy's arm and tries to lead him into the back,
out of view.
(conscious of customers
Let's get that patched up.
Randy roughly SHOVES him away. Wayne stumbles backwards.
Randy, turning toward the onlookers, raises his thumb to his
face. He dramatically smears the BLOOD ACROSS HIS MOUTH.
Customers GASP. A woman SHRIEKS.
Randy drags the gash across his cheek. He SMEARS A LINE OF IT
under each eye like WARPAINT.
(striking wrestling pose)
Let's get it
onnn!
Somebody call the cops!
Randy ROARS at Wayne. Wayne JUMPS BACK, frightened. Randy
rumbles out of the deli area LAUGHING.
SUPERMARKET AISLE:
Randy dashes down an aisle. He dodges a WOMAN PUSHING A
SHOPPING CART, purposely "over-dodging" her so he CRASHES
INTO THE SHELVES and sends stuff flying. He dodges ANOTHER
SHOPPER, dramatically crashing into the shelves again.
FRONT REGISTER AREA:
Randy charges past the CASHIERS, out of the supermarket.
INT. VAN - SHORT TIME LATER
Randy sits in the van in the Shop-Rite parking lot. He gazes
at himself in the rear-view mirror, dried blood caked on his
He likes it.
EXT. PARADISE OAKS - PAY PHONE - LATER
Randy is on the pay phone.
Nick. Randy The Ram.
I wanna do it.
I know, but I want back in.
So call Bob, get the match back on.
Pay me? Don't worry. Just cover my
expenses. And pay Bob. Make sure
I don't give a shit. I just wanna
INT. RANDY'S TRAILER - DAY
Randy is digging through a pile of clothes in a closet. He
pulls out his WRESTLING TIGHTS.
INT. RANDY'S TRAILER - BATHROOM - LATER
Randy, wearing rubber gloves and a towel around his neck,
combs PEROXIDE through his hair.
INT. RANDY'S TRAILER - BATHROOM - LATER
Randy is SHAVING HIS CHEST. The hair has grown in since he
last wrestled.
INT. RANDY'S TRAILER - LATER
Randy stands in the middle of the trailer in just a pair of
bikini briefs. In his hands is a product called TAN IN A CAN.
He gives the can a good shake and starts spraying his body.
INT. RANDY'S TRAILER - SHORT TIME LATER
Randy puts a snacks-and-soda-filled plastic bag in the front
of the van. He is surprised to see Cassidy pull up in her
car. She gets out.
How'd you find me?
Big Chris. Cheetah's bouncer.
Randy nods oh.
Look, I'm sorry if I came off like
a bitch. I didn't mean that stuff I
said. You're not just a customer.
Randy nods. He heads toward his trailer. Cassidy follows.
I'm sure it seems retarded, but I
gotta keep that line. It's how I've
been able to live with myself the
last 12 years.
INT. RANDY'S TRAILER - CONTINUOUS
Randy enters the trailer, Cassidy close behind.
There's a place I'm trying to get
to in my life. For me and my son.
Randy heads to his wheelie bag, open on the bed.
I'm leaving that world behind. And
I can't bring anybody with me who——
(doesn't really care)
Good for you. Quitting's hard.
He zips up his bag. Walks outside toward his van. She
Where are you going?
EXT. RANDY'S TRAILER - CONTINUOUS
He gets in the van.
Got a match.
He grabs the Fanfest flyer off the passenger seat and hands
See ya later.
He DRIVES OFF. She watches him go, the van kicking up dust in
She looks at flier. A look of concern comes over her face.
INT. VAN - EVENING
MUSIC: SKID ROW - "I REMEMBER YOU"
Randy is driving south on the New Jersey Turnpike.
INT. CASSIDY'S APARTMENT - CONTINUOUS
Cassidy grabs her purse and car keys off the kitchen table.
In bed by 11. Don't let him
The BABYSITTER (15) nods at the instructions. Cassidy heads
Bye, monkey.
She is struck by what she sees.
CASSIDY'S POV: DANIEL (9) is on the floor, playing with the
Randy The Ram doll.
She watches as he makes the Randy doll climb up the couch's
armrest. The doll takes a FLYING LEAP off the couch, onto a
STAR WARS FIGURE laid out on the floor below. Daniel makes an
EXPLOSION SOUND as Randy slams down on his foe.
Cassidy looks at the doll, worried.
INT. CHEETAH'S - LATER
MUSIC: WARRANT - "CHERRY PIE"
Cassidy is dancing onstage. She has a distracted, faraway
look in her eye.
She abruptly WALKS OFF mid-song.
She heads toward the dressing room, disappearing through the
Cassidy——where ya goin', baby?
INT. DRESSING AREA - CONTINUOUS
Cassidy unlocks her locker. She throws everything in it into
a duffel bag. She grabs the MASTER LOCK off the locker door
and throws it into the bag, too.
INT. CHEETAH'S - MAIN ROOM - CONTINUOUS
Cassidy, wearing her coat, steps through the curtain with the
She cuts across the empty stage, toward the exit.
EXT. CHEETAH'S - CONTINUOUS
Cassidy steps out of the club.
EXT. I-95 - LATER
Randy stands at a ROADSIDE PAY PHONE, ringing phone cradled
STEPHANIE'S VOICE
This is Stephanie, you know what to
do. (answering machine BEEP)
It's me. I promise I won't call you
I'm going back to the ring. You
were right about me. Everything you
said. Anyway. I just wanted you
Your daddy loves you.
He hangs up.
INT. CASSIDY'S CAR - CONTINUOUS
Cassidy is driving south on the New Jersey Turnpike. She's on
her cellphone. On the passenger seat is the Fanfest flyer.
There's waffles in the freezer and
some burritos if he wants for
lunch. He knows where.
I'm not sure what time I'll be
headed back yet. I'll keep you
posted as I go.
EXT. I-95 - SIDE OF THE ROAD - MIDNIGHT
Randy's van is pulled over on the side of the interstate.
INT. BACK OF VAN - CONTINUOUS
Randy is catching a nap as 18-wheelers barrel past.
INT. VAN - NEXT MORNING
Randy pulls into the empty-ish parking lot of the GREENVILLE
CIVIC AUDITORIUM.
INT. LOCKER ROOM - SHORT TIME LATER
Randy enters the locker room with his wheelie bag.
MAN'S VOICE (O.S.)
Yeah, nah, business is rockin'.
Just opened a third dealership.
Randy looks down a row of lockers.
RANDY'S POV: A huge, dark-skinned man in khakis and a BOB
ZAYID PONTIAC polo is talking to SOME OTHER WRESTLER. This is
THE AYATOLLAH (52).
That makes two in Columbus, one in
Dayton. Next 12 months, I'd say
Cincy's not out of the question.
(not too interested)
The Ayatollah looks up and sees Randy looking at him.
Randy heads over.
(shakes Ayatollah's hand)
(shakes other guy's hand)
Good to see ya, bro. Didn't think
we were gonna do this.
Yeah, well, I'm here.
Thursday night, I get a call, "It's
on! He's back in!" I'm like
"What?"
The Ayatollah chortles.
When you get settled in, we should
go over things.
Y'know, the spots.
Ah, we can just wing it.
You don't wanna hash it out?
The Ayatollah gives him a dismissive, cavalier wave.
It'll be fine.
We should have at least a basic
How's this: I'm the heel, you're
the face. Done.
The Ayatollah chuckles. Randy walks off, highly annoyed.
THE AYATOLLAH (O.S.) (CONT'D)
(to other wrestler)
Anyway, if you're ever in Ohio,
swing on by. I'll make you a nice
deal on a G6.
INT. GAS STATION - SHORT TIME LATER
Cassidy pulls into a gas station. She rolls down the window.
A GAS STATION ATTENDANT looks her way.
Do you know where the Civic
INT. GREENVILLE CIVIC AUDITORIUM - LOCKER ROOM - LATER
The card is underway. Through a wall, we hear the muffled
sounds of a MATCH IN PROGRESS: cheers, boos, crashes, etc.
Randy, sitting alone on a bench in just his jock strap, tapes
up his legs. His focus and intensity builds.
EXT. GREENVILLE CIVIC AUDITORIUM - PARKING LOT - SHORT TIME
Cassidy pulls into the lot. There's a lot more cars than when
Randy pulled in.
INT. GREENVILLE CIVIC AUDITORIUM - OUTER CONCOURSE - SHORT
The building's outer concourse. A handful of fans mill about
at a CONCESSIONS STAND and a SOUVENIR TABLE.
Cassidy, handing a ticket to an USHER, enters the building.
She looks around the concourse, not quite sure where to go.
INT. LOCKER ROOM - LATER
Randy, suited up in his tights, paces the floor, gearing
himself up for the match. The only other wrestler in the
locker room at the moment is The Ayatollah, doing neck rolls
nearby. Randy catches his eyes.
Ready to do this?
Through the wall, ARABIC MUSIC starts to play.
The Ayatollah grabs a large IRANIAN FLAG leaning against the
lockers. He heads toward an ENTRANCE CURTAIN, Randy close
(through curtain)
From the Islamic Republic of Iran,
weighing in at 252 pounds. The
Tehran Terror, the Beast Of The
Middle East.
The Ayatollah steps through the curtain, Iranian flag raised
high. He is promptly greeted with LUSTY BOOS.
INT. OUTER CONCOURSE - CONTINUOUS
Cassidy is walking around the concourse with a mounting sense
urgency. She spots a SECURITY GUY in a yellow windbreaker
sitting by an UNMARKED DOOR. She heads toward him.
INT. LOCKER ROOM - CONTINUOUS
Randy is peering through the narrow gap in the curtain,
watching The Ayatollah make his entrance.
THE AYATOLLAH (O.S.)
(faint, amidst the boos)
Death to America!
Randy, turning, is surprised to see Cassidy standing there.
She looks tired and worried and scared.
What are you doing here?
Don't do this. This is dumb.
This ain't the best time to talk.
What about your heart?
I'll be fine.
I thought the doctor.
They always say that. Whatever you
You could really hurt yourself.
I know what I'm doing in there.
(turns vaguely sad)
Out here's where I get hurt.
Out here's what
counts. The real
Fuck the real world. Nobody gives a
shit about me in the real world.
I quit my job, drove 14 hours
through the night to get here. What
do you call that?
Randy looks away, unable to hold her gaze. Through the
curtain, we hear the Arabic music DIE DOWN.
(from auditorium)
And his opponent.
A new, familiar song rises on the auditorium speakers.
MUSIC: AC/DC - "IF YOU WANT BLOOD (YOU GOT IT)"
The crowd roars.
(points to curtain)
Listen to them!
This is where I'm
great.
This is where I belong.
Randy looks at the curtain. He looks at Cassidy.
From Elizabeth, New Jersey,
weighing in at 219 pounds.
Randy. Please.
I'll see you after the show.
He pulls her off.
Enjoy the show.
He turns away from her, toward the curtain.
A true wrestling immortal, one of
the greatest of all time.
Randy "The Ram" Robinnnnsonnnnn!
He steps through.
INT. AUDITORIUM - CONTINUOUS
Randy bursts through the curtain to HUGE CHEERS. There's
probably 700 people there in the 2,200-seat facility.
INT. COMMENTATORS' TABLE - CONTINUOUS
Seated at a ringside table are the match's COMMENTATORS, a
pair of wannabe Marv Alberts in their 20s. A sign taped to
the table read
s CAROLINA WRESTLING NETWORK. Next to the table
is a VIDEOCAMERA on a tripod.
There he is, folks! Randy The Ram!
Randy raises a set of ram's horns high in the air. Fans do
the same in tribute.
History about to be made here at
the Greenville Civic Auditorium.
Randy takes a long lap around the ring, ramming chair after
chair. His head gets a little bloody. The fans eat it up.
Randy climbs into the ring, where The Ayatollah awaits.
The cheers continue. Loving, appreciative, sustained cheers.
Randy stands there soaking it in, basking in their love.
He grabs the microphone from the ring announcer. He looks
around. A hush comes over the crowd.
I just got one thing to say to you
Randy looks toward Cassidy, standing over by the entrance
curtain. He looks out at the larger crowd.
Thank you.
LOUD CHEERS. Randy takes a contemplative pause.
You take your lumps and bruises in
this game. But you know what? It's
all worth it. Because of you guys.
Your cheers keep me young. They
make me feel alive.
In 1982, the year I wrestled my
first professional match, I was six-
foot-one. By 1993, I was five-foot-
eleven. Three back surgeries in 11
years knocked two full inches off
my height. I may be down to five-
eleven, but performing in front of
you people has always made me feel
10 feet tall. And that's the way
it's always gonna be.
Randy looks toward Cassidy, who's standing over by the
entrance curtain. Their eyes meet.
Randy lowers the mike, finished. The fans CHEER WILDLY, the
loudest cheers yet.
As Randy nods appreciatively at the crowd, The Ayatollah
SNEAKS UP BEHIND HIM with a folding chair.
Fans shout, trying to warn Randy about the sneak attack, but
he doesn't hear them.
The Ayatollah SMASHES HIM OVER THE HEAD. Randy goes down. The
match is on.
The Ayatollah picks up Randy and throws him into the ropes.
Randy bounces back toward The Ayatollah, who lazily puts up
an elbow for Randy to run into. Randy practically has to lead
his face to the elbow. Hitting the mat, Randy pops back up
and grabs The Ayatollah.
The Ayatollah, phoning it in, throws Randy into the ropes
again. This time, The Ayatollah has a raised knee waiting for
Randy. Randy runs into it, doing his best to sell the shot.
You're workin' pretty light here.
Randy gets up and grabs The Ayatollah's arms. With a nifty
move, he flips The Ayatollah over his shoulder, SLAMMING HIM
HARD into the mat. Randy falls on top of him, pressing The
Ayatollah's face into the canvas.
Jesus. Relax.
Randy flips The Ayatollah over onto his back, pinning his
shoulder blades. The REF swoops in.
The Ayatollah KICKS OUT. They both get up. The Ayatollah jogs
toward the ropes. He bounces off. Randy braces for something
good, but all he gets is a feeble CHEST SLAP. Randy grabs The
Ayatollah and puts him in a headlock.
Anytime you wanna join in.
Randy scoops up The Ayatollah and drops him over his knee
with a BACKBREAKER. The Ayatollah grimaces in pain as he hits
the mat. Before he has a chance to get up, Randy hits him
with a FLYING ELBOW DROP.
The Ayatollah gets up, pissed at the rough treatment.
Randy goes for a dropkick, but The Ayatollah catches his
ankles in midair. He JERKS UPWARD on Randy's legs, sending
Randy CRASHING TO THE MAT on the back of his head. The
Ayatollah falls on Randy's throat with his knee. He grinds
Randy's face into the canvas as Randy did to him.
ENTRANCE CURTAIN:
Cassidy is cringing. It's hard for her to watch this.
The Ayatollah picks up Randy and throws him into the ropes.
Randy bounces back, flinging himself sideways at The
Ayatollah. The Ayatollah catches him in mid-air, cradling him
in his arms. The Ayatollah drops Randy onto his bent knee.
Randy falls to the canvas, clutching his side. The Ayatollah
falls on top of him.
Forgot how much fun this is.
The ref swoops in.
Randy KICKS OUT. As Randy "recovers", The Ayatollah jumps out
of the ring and grabs a folding chair.
The Ayatollah, climbing back in, props up the chair in a
corner. He picks Randy off the mat and flings him at the
chair. Randy VAULTS OVER IT, sailing through the ropes and
OUT OF THE RING. He hits the concrete floor, CRASHING against
the metal barricade.
ENTRANCE CURTAIN:
Cassidy winces. She starts to tear up a little.
The Ayatollah hops out of the ring. He stands over Randy,
kicking him repeatedly. He grabs his Iranian flag, waving it
tauntingly at the crowd.
Fat piece of shit!
The Ayatollah looks down at Randy.
Pathetic.
("spits" on Randy)
Pitiful godless infidel!
Boos rain down on The Ayatollah.
JUST OUTSIDE RING:
The Ayatollah takes the butt end of his flag pole and JABS IT
into Randy's side. Randy grimaces in pain.
The Ayatollah unties the flag from its pole and WRAPS IT
around Randy's neck. He JERKS UPWARD on the flag, lifting
Randy off the mat by his neck. Randy THRASHES AROUND,
fighting for breath.
The Ayatollah releases Randy from the choke. Randy crumples
to the ground, gasping for air. The Ayatollah picks up Randy
by his hair and flings him back in the ring.
The Ayatollah grabs the folding chair from the corner. He
SMASHES RANDY OVER THE HEAD with it. Randy's forehead is
BLEEDING. The Ayatollah hits him again, taking dead aim at
the forehead cut. MORE BLOOD. Randy crumples to the mat.
ENTRANCE CURTAIN:
Cassidy, alarmed, instinctively goes halfway toward the ring.
The Ayatollah scoops up Randy and BODYSLAMS him. He falls on
Randy knee-first and starts punching him repeatedly.
Wanna take it home?
Randy's eyes drift in Cassidy's direction.
RANDY'S POV: Cassidy is CRYING.
Stop it! Stop it, Randy!
Randy turns back to The Ayatollah.
All you, bro. Lead the way.
Randy flips The Ayatollah over. Randy struggles to his feet.
He picks up The Ayatollah and levels him with a dropkick.
COMMENTATOR #1 (O.S.)
His heart is POUNDING. The fans sense it's near the end. A
CROWD (O.S.
)
Ram Jam! Ram Jam! Ram Jam!.
Randy falls on top of The Ayatollah, putting him in a rest-
CROWD (O.S.
) (CONT'D)
Ram Jam! Ram Jam! Ram Jam!.
COMMENTATOR #2 (O.S.)
Just
listen to this crowd!
The Ayatollah can hear how labored Randy's breathing is.
If you ain't up to it.
Ram Jam! Ram Jam! Ram Jam!.
Randy looks around at the crowd, chanting, hungry for the Ram
Jam. He looks The Ayatollah in the eye.
Let's do this.
Randy gets up. He lifts The Ayatollah off the mat, locking up
with him chest-to-chest. He arches his back and thrusts his
hips. The Ayatollah's feet fly off the canvas as his legs
whip into the air. His body does a COMPLETE FLIP as he slams
onto his back. Randy stays with him, his body contorting in a
tight BACK FLIP as he CRASHES DOWN on top of him.
COMMENTATOR #1 (O.S.)
Randy gets up. His HEART LURCHES.
He lowers himself back down to his knees. Puts his hand to
his chest. Something just happened.
Randy looks out at the crowd. The whole place is on its feet.
Ram Jam! Ram Jam! Ram Jam!..
Randy's heart LURCHES AGAIN.
The Ayatollah sees he's clearly not.
THE AYATOLLAH (CONT'D)
Just pin me.
Randy looks out at the crowd again. The fans are in a frenzy.
RAM JAM! RAM JAM! RAM JAM!.
THE AYATOLLAH (O.S.)
Finish it. Pin me.
Randy is torn. He.
Randy STAGGERS to the corner. His heartbeat is UNNATURAL AND
DEAFENING
.
BA-BLOOM, BA-BLOOM, BA-BLOOM..
Cassidy can't take any more. She turns and WALKS.
Randy plants a foot on the bottom rope. He looks toward
RANDY'S POV: He catches a glimpse of Cassidy disappearing
through the curtain into the locker room.
Randy looks out on the crowd. Chanting, cheering. He starts
to climb. Standing on the top rope, he looks again at the
curtain. She's gone.
Cassidy exits the arena sobbing.
The Ayatollah lies on the ground in pain.
Randy raises his arms and sticks his elbows out, pressing his
fists to the sides of his head to form a set of RAM'S HORNS.
COMMENTATOR #2 (O.S.)
Uh-oh, the horns are out.
Randy takes a long look around the auditorium, lingering on
the fans' faces, savoring their cheers.
COMMENTATOR #1 (O.S.)
BA-BLOOM, BA-BLOOM, BA-BLOOM..
FREEZE on Randy in mid-air, glorious and immortal.
Source: http://www.cinefile.biz/script/wrestler.pdf
/ APPLICATION NOTE Monitoring Water Vapor in the Lithium-ion Battery Manufacturing Process The lithium-ion battery manufacturing process is sensitive to moisture. This challenging production environment demands a water vapor detection instrument with reliable performance and strong resistance to process byproducts that may be present in the atmosphere. Dry-air management is essential
Comparative Biochemistry and Physiology, Part C 139 (2004) 47 – 55 Life-stage-dependent sensitivity of zebrafish (Danio rerio) to estrogen exposure Gerd Maack*, Helmut Segner1 UFZ Centre for Environmental Research, Department of Chemical Ecotoxicology, Permoserstr. 15, D-04318 Leipzig, Germany Received 11 March 2004; received in revised form 6 September 2004; accepted 9 September 2004